Film & History An Interdisciplinary Journal of Film and Television Studies www.filmandhistory.org Volume 33.2 (2003) Table of Contents: The American West (2) General Introduction by Peter C. Rollins 1 Introduction to Special Issue 9 by Deborah Carmichael Professional Women—Women in The Professionals (1966) by Winona Howe 12 Rewriting the West as Multi-Cultural: Legend Meets Complex Histories in la Frontera in John Sayles’ Lone Star (1996) by Kimberly Sultze 19 Revisiting the “Revisionist” Western by Barry Langford 26 Henry Hathaway’s Rawhide and the Hermetic Frontiers of Film Noir by Hugh S. Manon 36 Cowboys and Comedy: The Simultaneous Deconstruction and Reinforcement of Generic Conventions in the Western Parody by Matthew R. Turner 48 Turner Network Television’s Made-for-TV Western Films and the Social Construction of Authenticity by David Pierson 55 American History through Feature Films: a Middle School Unit by Brian Stevens 65 Film Reviews The Perilous Fight: America’s World War II in Color by Raymond J. Haberski, Jr. 70 Benedict Arnold: A Question of Honor by Suzanne Broderick 72 Chicago by Cara Ann Lane 74 Frida by Ron Briley 75 The League of Extraordinary Gentlemen by Marc Oxoby 77 Elizabeth by Sarah Knowles 78 Book Reviews Howard Blue. Words at War: World War II Era Radio Drama and the Postwar Broadcasting Industry Blacklist. Scarecrow Press, 2002. by Robert Fyne 81 James Chapman. Cinemas of the World: Film and Society from 1895 to the Present Day. Reaktion Books, 2003. by David Lancaster 82 Robert J. Lentz. Korean War Filmography: 91 English Language Features through 2000. McFarland, 2003. by Robert Fyne 83 J. Hoberman. The Magic Hour: Film at Fin de Siecle. Temple University Press, 2003. by David Lancaster 84 Robert Alan Crick. The Big Screen Comedies of Mel Brooks. McFarland, 2002. by Jason P. Wojcik 85 Don G. Smith. H.G. Wells on Film: The Utopian Nightmare. McFarland, 2002. by Elun Gabriel 86 Frank McAdams. The American War Film: History and Hollywood. Praeger Publishers, 2002. by Michael S. Shull 87 Marek Haltof. Polish National Cinema. Berghahn Books, 2002. by Jay Morong 88 Peter Hanson. The Cinema of Generation X: A Critical Study. McFarland, 2002. by Laura Wittern Keller 89 Kathleen E. R. Smith. God Bless America: Tin Pan Alley Goes to War. The University Press of Kentucky, 2003. by Robert Fyne 90 Hernan Vera & Andrew M. Gordon. Screen Saviors: Hollywood Fictions of Whiteness. Rowan & Littlefield, 2003. by David Lancaster 91 Rodney Farnsworth. The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983. Praeger Publishers, 2002. by Angela Schwarz 92 Announcements: wwwfilmandhistory.org “War in Film, Television, and History” Conference Film & History: 1999, 2000 & 2001-2002 CD-Rom Annuals 26 Years of Film & History on CD-ROM Subscriptions, Back and Special Issues Sponsors Film and History League University Press of Kansas University of Kentucky Press Syracuse University Press McFarland University of Illinois Press www.filmandhistory.org This posting submitted by Peter C. Rollins [log in to unmask]