Both Rouben Mamoulian's "Love Me Tonight" (1932) and Stanley Donen's "The Grass is Greener" (1960) present simultaneous action in a split screen. We see the lovers in the earlier film in a split screen as they sing a duet while asleep in separate beds; in Donen's film, we see two couples unknowlingly match one another's gestures and postures as they are shown in a split screen conversing on the telephone. Marshall Deutelbaum ---- For past messages, visit the Screen-L Archives: http://bama.ua.edu/archives/screen-l.html