Hello, Here's a more formal offer to review the following book -- attached is my vita. Alison Butler, _Women's Cinema_ (2002) thank you, Jane [log in to unmask] wrote: > [Sincere apologies if you receive this more than once.] > > .:, > .', :. . > .. , ..' : .. > .. '. .. ,. ..: .. > .. .: .'.. ,. . ... F I L M - P H I L O S O P H Y > . ' ...,... . . .:. . . > . .. . : ... .'.. ..,.. ISSN 1466-4615 > . ., . . :... . . '.. Journal : Salon : Portal > . .'. , : ..... . PO Box 26161, London SW8 4WD > . .:..'...,. . http://www.film-philosophy.com > .. :.,.. '.... > ....:,. '. > .' :. . > .,' > > CALL FOR REVIEW-ARTICLES AND PAPERS 2003 > > CALL FOR REVIEW-ARTICLES > > The following books have been received and need reviewers: > > Allen and Turvey, eds, _Wittgenstein, Theory and the Arts_ (2001) > Steve Beard, _Aftershocks: The End of Style Culture_ (2002) > Bergfelder, Carter, and Gokturk, eds, _The German Cinema Book_ (2002) > Janet Bergstrom, ed., _Endless Night: Cinema and Psychoanalysis, > Parallel Histories_ (1999) > Bernardo Bertolucci, _Interviews_ (2000) > Leo Braudy, _The World in a Frame_ 25th Anniversary Edition (2002) > Giuliana Bruno, _Atlas of Emotion: Journeys in Art, Architecture, and > Film_ (2002) > Alison Butler, _Women's Cinema_ (2002) > Jane Campion, _Interviews_ (1999) > Sheila Cornelius, with Ian Hayden Smith, _New Chinese Cinema_ (2002) > John Corner, _Critical Ideas in Television Studies_ (1999) > Dai Jinhua, _Cinema and Desire_ (2002) > Danio and Maziere, eds, _The Undercut Reader: Critical Writings on > Artists' Film and Video_ (2003) > Wendy Everett, ed., _The Seeing Century: Film, Vision, and Identity_ (2000) > Manny Farber, _Negative Space_ Expanded Edition (1998) > Flory and D'Andrade, eds, _Film and Philosophy_ vols 5/6 (2002) > Gerow and Nornes, eds, _In Praise of Film Studies: Essays in Honor of Makino > Mamoru_ (2001) > John Gibbs, _Mise-en-Scene: Film Style and Interpretation_ (2002) > David Gillespie, _Early Soviet Cinema_ (2000) > Goran Gocic, _The Cinema of Emir Kusturica_ (2001) > Alexander Graf, _The Cinema of Wim Wenders_ (2002) > Hague and Lavery, eds, _Teleparody: Predicting/Preventing the TV > Discourse of Tomorrow_ (2002) > Sue Harris, _Bertrand Blier_ (2001) > Ari Hiltunen, _Aristotle in Hollywood_ (2002) > Geoff King, _Film Comedy_ (2002) > King and Krzywinska, _Science Fiction Cinema_ (2000) > Stanley Kubrick, _Interviews_ (2001) > Annette Kuhn, _Dreaming of Fred and Ginger: Cinema and Cultural Memory_ (2002) > Vicky Lebeau, _Psychoanalysis and Cinema_ (2001) > Malcolm Le Grice, _Experimental Cinema in the Digital Age_ (2001) > Samantha Lay, _British Social Realism_ (2002) > Jacob Leigh, _The Cinema of Ken Loach_ (2002) > Jon Lewis, _The End of Cinema As We Know It: American Film in the > Nineties_ (2001) > George O. Liber, _Alexander Dovzhenko_ (2002) > Colin MacCabe, _The Eloquence of the Vulgar_ (1999) > Laurent Mannoni, _The Great Art of Light and Shadow: Archaeology of > the Cinema_ (2000) > Lev Manovich, _The Language of New Media_ (2001) > Millar and Doherty, _Jane and Louise Wilson_ (2000) > Tony Lee Moral, _Hitchcock and the Making of Marnie_ (2002) > Stephen Mulhall, _On Film_ (2002) > Martin O'Shaughnessy, _Jean Renoir_ (2000) > Richard Porton, _Film and the Anarchist Imagination_ (1999) > Phil Powrie, _Jean-Jacques Beineix_ (2001) > James Quandt, ed., _Kon Ichikawa_ (2001) > Angelo Restivo, _The Cinema of Economic Miracles: Visuality and > Modernisation in the Italian Art Film_ (2002) > D. N. Rodowick, _Reading the Figural, or, Philosophy After the New > Media_ (2001) > Sam Rohdie, _Promised Lands: Cinema, Geography, Modernism_ (2001) > Philip Rosen, _Change Mummified: Cinema, Historicity, Theory_ (2001) > Jonathan Rosenbaum, _Movie Wars_ (2002) > Saddar and Cubitt, eds, _Aliens R Us: The Other in Science Fiction > Cinema_ (2002) > Kevin L. Stoehr, ed., _Film and Knowledge: Essays on the Integration > of Images and Ideas_ (2002) > Stokes and Hoover, _City on Fire: Hong Kong Cinema_ (1999) > Nicolas Tredell, _Cinemas of the Mind: A Critical History of Film > Theory_ (2002) > Nwachukwu Frank Ukadike, _Questioning African Cinema_ (2002) > Ravi S. Vasudevan, ed., _Making Meaning in Indian Cinema_ (2000) > Paul Wells, _Animation: Genre and Authorship_ (2002) > Willoquet-Maricondi and Alemany-Galway, eds, _Peter Greenaway's > Postmodern/Poststructuralist Cinema_ (2001) > Peter Wollen, _Paris Hollywood: Writings on Film_ (2002) > Zhang Yimou, _Interviews_ (2001) > Slavoj Zizek, _The Fright of Real Tears: Krzysztof Kieslowski Between > Theory and Post-Theory_ (2001) > > If you would like to review one of these works then please respond as > soon as possible to: > > [log in to unmask] > > Do not hit 'reply', or send to this list's address. > By all means indicate alternative book choices in order of preference. > A brief statement of interest and experience will aid in the selection process. > Don't forget your postal address. > > Length: 2-5,000 words > Deadline: June 1st 2003 > > CALL FOR PAPERS > > Submissions are also invited for papers on any topic concerning the > philosophy of moving images, e.g. analytical film philosophy, film > aesthetics, cognitivism, Deleuzian film philosophy, phenomenology, > etc. > > Specific request for papers on the idea of film form as a new kind of > 'thinking' (e.g. Munsterberg, Deleuze, Artaud, Balazs, Biro, Epstein, > Gilbert-Lecomte, Wurzer, and Schefer, etc.) > > Papers should be 2-5,000 words in length, original, and not under > submission elsewhere or previously published. > > Send articles, abstracts and ideas to: [log in to unmask] > Do not hit 'reply', or send to this list's address. > > Please read our guide for authors at: > http://www.film-philosophy.com/journal/guideforauthors > > . .. . : ... .'.. ..,.. > > To join the salon, and receive the journal articles via email as they > are published, simply send the message: > join film-philosophy YOURNAME > or > join film-philosophy YOURNAME with digest > to: [log in to unmask] > > (In the digest version you will receive salon posts in a single > email, sent about once a day.) > > . .. . : ... .'.. ..,.. > > 'A major online journal that is devoted to film and philosophy, > Film-Philosophy, based in Great Britain, facilitates dialogue among > countless individuals who are enthused about the philosophy of film > and the discussion of philosophical issues in films.' Kevin Stoehr, > in Film and Knowledge (Jefferson, NC: McFarland, 2002) > (http://www.mcfarlandpub.com) > > . .. . : ... .'.. ..,.. > > ---- > To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L > in the message. Problems? Contact [log in to unmask] ---- For past messages, visit the Screen-L Archives: http://bama.ua.edu/archives/screen-l.html