I usually compare Stone's style of filmmaking to that of Spike Lee - I find both filmmakers quite similar in their ... how to put this nicely? ... their *emphatic* style of filmmaking? Both Lee and Stone are similar in the sense that they both seem to shout at their audience - LOOK AT THIS 'CAUSE IT'S F-ING IMPORTANT! AS IS THIS! THIS TOO! DON'T MISS THIS! 'YA SEE? 'YA SEE? THIS IS WHAT I'M TALKING ABOUT! And when neither filmmaker has much to say, they try to dazzle with technical virtuosity (although, Stone is usually more guilty of this than Lee is). Granted that both filmmakers have made some excellent pictures (for me Stone's Salvador and U-Turn, Lee's Bamboozled and Malcolm X), but the more 'standard' fare they produce tends to be overstated. What? You mean the American Government might be concealing information from us? or that Vietnam was a horrible experience? or that when you get too many New Yorkers into a single room, racial epithets start flying? or mixed-race couples find it difficult to get along? There's racial tension in Brooklyn? (Ok, that last one was a bit unfair of Do The Right Thing, but I think is applicable to Summer of Sam). ************************************************ Dr. Mikel J. Koven Department of Theatre, Film and TV University of Wales, Aberystwyth Aberystwyth, Ceredigion SY23 3RD [log in to unmask] ************************************************* ----- Original Message ----- From: "Vinzenz Hediger" <[log in to unmask]> To: <[log in to unmask]> Sent: Monday, October 08, 2001 9:20 AM Subject: Oliver Stone comparisons > Hi all > > I was wondering, which American Film Director can Oliver Stone be compared > to. For example where does he draw his cinematic style and narrative style > from. I am just curious to know because I enjoyed watching JFK, PLATOON AND > BORN ON THE FOURTH OF JULY. > > Kind regards > > > > Try Cecil B. DeMille, the other great self-declared (and self-important) > Hollywood historian. As for cinematic and narrative style: Don't be fooled > by the montage. These are very conventional films. > > Kind regards, > > Vinzenz Hediger, University of Zurich > > _________________________________________________ > Vinzenz Hediger Mailto:[log in to unmask] > Seminar für Filmwissenschaft Phone: +41 1 362 02 31 > Universität Zürich Fax +41 1 362 02 31 > Plattenstrasse 54 Phone: +41 1 634 35 39 > 8032 Zürich alt. e-Mail: [log in to unmask] > _________________________________________________ > > ---- > Screen-L is sponsored by the Telecommunication & Film Dept., the > University of Alabama: http://www.tcf.ua.edu > ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu