I was reading the Howard Hawks section in Wollen's SIGNS AND MEANINGS (1969)the other day, then I picked up Lee Russell's NEW LEFT REVIEW 1964 article on Hawks, and noticed not just Wollen's stealing of ideas, as the postscript from HOWARD HAWKS, AMERICAN ARTIST (co-edited by Wollen), suggests, but blatant, word-for-word plagiarism for paragraphs at a time. Has much been made of this plagiarism anywhere? Can anyone refer me to any examples of Wollen's defense of his "theft"? Thanks in advance. Matt Ramsey ---- For past messages, visit the Screen-L Archives: http://bama.ua.edu/archives/screen-l.html