Robert Hunt suggests: > a few Pop suggestions: > Todd Haynes' "Velbet Goldmine" > Stanley Donen's "Bedazzled" > The Austin Powers films > Ken Russell's Tommy, Mahler, The Boy Friend or Lisztomania > Warren Beatty's Dick Tracy > From the 60s: "Modesty Blaise", "The 10th Victim", "Mr Freedom" and > "Barbarella" Obviously, these approach "pop" in different ways (and it might be arguable if some of them fit at all), but some others might include: a number of Godard's earlier films that include/critique "pop" culture, including A WOMAN IS A WOMAN, LA CHINOISE, and others Tati's PLAYTIME BATMAN (as a spin-off of the Adam West TV series, but Burton's stands in counterpoint, only to be overturned again by the last 2 Schumacher films. (There's also the new TV cartoon series that has also generated a feature/video-length production or two.) Spy films (including those that Austen Powers plays off): CASINO ROYALE, the Our Man Flint films, and others also Coburn in THE PRESIDENT'S ANALYST Mazursky's I LOVE YOU, ALICE B. TOKLAS Lindsay Anderson's OH, LUCKY MAN TOOTSIE (especially the montage sequence of his/her rise to fame that includes Warhol himself) BLOW-UP Don Larsson Donald Larsson Minnesota State U, Mankato [log in to unmask] ---- Online resources for film/TV studies may be found at ScreenSite http://www.tcf.ua.edu/ScreenSite