Issue number 9 of the on-line journal is now on-line. As usual there is a broad mix of articles and reviews. Articles in the First release section: On Giovanna d'Arco al rogo (1955) by Tag Gallagher. Hegel's grave by Helen Grace. How to tell the difference between a stereotype and a positive image Putting Priscilla, queen of the desert into history by Alan McKee. Rhetorical "Rivers of Blood:" mediated interpretive controversy and The trial of Enoch Powell by Kendall R. Phillips. Seasick on the Serpentine: Englishness, otherness and consensus in Passport to Pimlico by John West. Reviews: Review article, A parallel universe? Hollywood in the "Pre-code era" a review of Thomas Doherty, Pre-Code Hollywood: sex, immorality, and insurrection in American cinema 1930-1934. by Geoff Mayer Review article, For criticism part one and part two, a review of Nicole Brenez, De la figure en général et du corps en particulier: l'invention figurative au cinéma by William D. Routt Review article, Always a window: Tag Gallagher's Rossellini, a review of Tag Gallagher'sThe adventures of Roberto Rossellini by Adrian Martin Mervyn F. Bendle reviews James B. Twitchell, Lead us into temptation: the triumph of American materialism. Chris Berry reviews Michael J. Shapiro, Cinematic political thought: narrating race, nation and gender. Chris Berry reviews Stuart Cunningham and John Sinclair (eds), Floating lives: the media and Asian diasporas. Ina Bertrand reviews Philip Turner, Moskva Kino: the cinemas of southwest and central Moscow ,Warner cinemas: an outline history , MGM cinemas: an outline history , Showcase cinemas: an outline history John Conomos reviews Philip Brophy (ed.), Cinesonic: the world of sound in film Millissa Deitz reviews Judith Halberstam, Female masculinitys Sam Hinton reviews Sarah Kember, Virtual anxiety: photography, new technologies and subjectivity Adam Knee reviews Andrew Higson & Richard Maltby, "Film Europe" and " Film America": cinema, commerce and cultural exchange, 1920-1939 Jane Landman reviews Julie James Bailey, Reel women: working in film and television. Harriet Margolis reviews Sue Thornham (ed), Feminist film theory: a reader. and Sue Thornham, Passionate detachments: an introduction to feminist film theory. Kevin Murray reviews Peter Lunenfeld (ed.), The digital dialectic: new essays on new media. Guillaume Ollendorff reviews Chris Marker, Immemory. Translated from French by the Guillaume Ollendorff and Adrian Martin Kristine Philipp reviews Joshua Gamson, Freaks talk back. Tabloid talk shows and sexual nonconformity. Simon Popple reviews John Barnes, The beginnings of the cinema in England, 1894-1901 volume 5: 1900 Sam Rohdie reviews John Roberts, The art of interruption: realism, photography and the everyday Darren Tofts reviews William J. Mitchell, e-topia: "Urban life, Jim ‹ but not as we know it" Sue Turnbull reviews Ellen Seiter, Television and new media audiences. Ruth Vasey reviews Chris Watson and Roy Shuker, In the public good? Censorship in New Zealand Terrie Waddell reviews Catharine Lumby, Gotcha: life in a tabloid world. Peter B. White reviews William H. Dutton, Society on the line: information politics in the digital age A call for papers has also been posted on the site. The call is for papers for an issue in June 2001 dealing with Memory, women's autobiography and the new media, and can be found at: ---- For past messages, visit the Screen-L Archives: http://bama.ua.edu/archives/screen-l.html