On Fri, 10 Jun 1994, Sylvia Swift wrote: > _Visions of Light_ has a segment on _Raging Bull_ in which they talk > > Does anyone remember the moment in Hitchcock's _Marnie_ when the screen > goes red? How is that effect achieved? > Delurking. It may have been imagined, but I thought Paul Schrader faded to grey throughout _American Gigolo_ as a comment on moral ambiguity and leading up to his inevitable state(ment) of grace, a la Ozu. Does anyone else recall this as happening? And, I've been trying to remember the name of a Raul Ruiz film that was shown at the Chicago Film Festival two years ago. I saw it the same night as Visions of Light and it may have had Light or Day or Night in the title. It was set in a town continuously filled with floating appearances of saints and a factory of prosthetic limbs. PGregorySpringerschwaermerdadathepdoesnotstandforpope