View the full Table of Contents at - http://www.oxfordjournals.org/page/6101/6 ARTICLES Serious immobilities: Andy Warhol, Erik Satie and the furniture film by Justin remes If film is dead, what is cinema? by John Belton The garden of intermedial delights: cinematic ‘adaptations’ of Bosch, from modernism to the postmedia age by Ágnes Pethõ PEGGY AHWESH DOSSIER Introduction by Elena Gorfinkel and John David Rhodes From ruin to ritual by John David Rhodes Technical revelations and material encounters: female corporeality in the work of Peggy Ahwesh by Elinor Cleghorn Exhibitionist performance and theatricality in Trick Film and Philosophy in the Bedroom, Part 1 and 2 by Michele Pierson Corpse, corpus, contingency: Peggy Ahwesh's ‘deadman’ trilogy by Elena Gorfinkel REVIEWS Producing Bollywood: Inside the Contemporary Hindi Film Industry Reviewed by Amit Rai Go West, Young Women! The Rise of Early Hollywood Reviewed by Moya Luckett Screening the Face Reviewed by Richard Rushton Read now at - http://www.oxfordjournals.org/page/6101/6 Oxford University Press (UK) Disclaimer This message is confidential. You should not copy it or disclose its contents to anyone. You may use and apply the information for the intended purpose only. OUP does not accept legal responsibility for the contents of this message. Any views or opinions presented are those of the author only and not of OUP. If this email has come to you in error, please delete it, along with any attachments. Please note that OUP may intercept incoming and outgoing email communications. ---- For past messages, visit the Screen-L Archives: https://listserv.ua.edu/archives/screen-l.html