Apologies for cross-posting. Contact: pietsie feenstra [[log in to unmask]]
GRONINGEN - NETHERLANDS
International Conference on European Cinema 2004
Participants :
R.Odin, M.Lagny, F.Kessler, I.Christie, A. Van den Oever, E. Poppe, E De Kuyper, P.Feenstra, D.Ostrowska, B. Van den Heusden,...
Program Day 1 - Symposium
Wednesday the 3rd of November 2004 – Film Theatre Images, Poelestraat 30
9.30 h Reception with coffee
10.00 h Welcome
Word of welcome by Prof. Dr. Martin Gosman, director, Research school in the humanities OGWG
Word of welcome by dr. Annie van den Oever
10.15 h Opening of the meetings by Philippe Hardy, Chair
Director of the Institut Français des Pays-Bas
10.25 h The pragmatic turn in Film Studies
Prof. dr. Roger Odin, em. prof. at Paris III, Sorbonne Nouvelle.
11.15 h Interview with prof. Odin
Annie van den Oever, University of Groningen
11.30 h Discussion
11.45 h Lunch
12.15 h Screening of La captive, 2000
Based on La Prisonnière by Marcel Proust (1871-1922), one of the novels of his lifework A la recherche du temps perdu.
Scenario by Eric de Kuyper, direction by Chantal Akerman
13.15 h Opening afternoon session by Thomas Michelon, Chair
Attaché culturel à l ‘Ambassade de France
13.20 h Between a rock and a hard place
Prof. dr. Ian Christie, Birkbeck College of London
Between a rock and a hard place: reflections on doing film history
after theory. From structuralism and ahistorical spectatorship to the
current ultra-empericism in the study of (early) cinema.
Referent: Prof. dr Frank Kessler, University of Utrecht
14.00 h The historian and the film
Prof. dr. Michèle Lagny, Paris III, Sorbonne Nouvelle
"The historian and the film: Theoretical problems posed by the use of film by historians. How films contribute to historical knowledge.”
Referent: Dr. Susan Aasman, University of Groningen
14.45 h Break
15.15 h – Conference
16.15 h
Eric de Kuyper on writing and making La Captive
″Remembering and Forgetting Proust. Adaptations for the screen and the
theatre of A la Recherche... ″
16.30 h Closing
Transference ceremony film collection donated by Stichting Vrienden van het Filmarchief, Nijmegen
A word of gratitude by Prof. dr. Liesbeth Korthals-Altes on behalf of RTC and KCM
22.00 h Opening of the French film festival Ciné Premières
Screening of Comme une image by Agnès Jaoui
ICEC WORKSHOP (ROUND TABLE)
Title:
Appropriation of concepts in Film Theory and Film Studies
Topic:
(transatlantic) Appropriations of concepts from the fields of literature & linguistics to the fields of film studies and cultural studies
Location:
Grote Vergaderzaal, Oude Boteringestraat, University of Groningen
Day:
4th of November
Programme:
9.15h: Coffee and registration
9.30h: Word of welcome
Annie van den Oever: Presentation of the outline of the project and of the day
Every session will provide time for both presenting papers (of about 20 minutes) and a discussion by all participants (of about ten minutes).
10.00h – 12.30h: First session - Chair: Roger Odin
Ian Christie: A reflection on the 70’s debate in the UK over Russian
Formalism / Brechtianism and ‘distanciation’
Annie van den Oever: The historical appropriation of Russian Formalist’s theoretical concepts within the context of Anglo-American New Criticism
Frank Kessler: Ostranenie and beyond: Ramifications of a concept
Barend van Heusden: Pregnance (‘Prägnanz’)
12.30h: Lunch
13.30-15.30h: Second session – Chair: Michèle Lagny
Emile Poppe: Film semiotics: our heritage
Dorota Ostrowska: Narrative in literature and cinema: Is structuralist film
criticism just a version of literary criticism?
Jan Simons: The reality game
Pietsie Feenstra: Reflections on European Film Theory: Almodóvar's Bodies
15.30-16.00h: Tea Break
16.00-17.00h: Session three: closing discussion
The closing debate will provide an opportunity for all to evaluate the day, and arrangements for publication and next year’s workshop will be made. For a first draft of this three year project, see below.
17.00-18.00h: Drinks
Dinner
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