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November 1999, Week 3

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Subject:
From:
paul wiener <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 16 Nov 1999 12:13:21 -0500
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I hope you're not confusing explicitness with sexuality. Many of the teen
bad-girls of the 50's pulp movies were as sexy as they come - they just
didn't come, on-screen.

At 09:32 AM 11/16/99 -0600, Mary Celeste Kearney wrote:
>One thing I found intriguing about Jennifer Lopez's femme fatale character
>in U-TURN was that the audience gets to learn about her past (i.e., her
>relationship with her father), which is used as an explanation for her
>present bad-girl behavior. To my knowledge, such back-story explanations
>for the development of femme fatale behavior didn't occur in earlier film
>noir. But they make sense in our society's present approach to
>understanding "deviance."
>
>I think another point to consider are *teenage* femme fatales. This trend
>is not new; it has been going on for decades. However, today's teens
>(especially girls) are far more explicitly sexual than in the past.
>Consider Sarah Michelle Gellar's character in the recent remake of
>Dangerous Liaisons, or the bad girl/fantasy object in American Beauty (an
>interesting twist since she explicitly uses her sexuality as a means to
>power, but then reveals that she's never actually engaged in sexual
>intercourse).
>
>Mary Kearney
>
>----
>Screen-L is sponsored by the Telecommunication & Film Dept., the
>University of Alabama: http://www.tcf.ua.edu
>
>
Paul B. Wiener
Special Services Librarian
Melville Library
SUNY at Stony Brook, NY 11794
631/632-7253
fax: 631/632-7116
[log in to unmask]

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu

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