On Thu, 17 Jun 1999 23:58:36 -0700 "Edward R. O'Neill" <[log in to unmask]>
> We're talking about the studio itself sending a print to
> UCLA Archive: it was almost as if they didn't want the film
> to be seen.
And for a film which didn't do particularly well on it's original release,
there's even less excuse for supplying a duff print. My experience has been
that for a 10-30 year old film, which was not very successful when originally
released and which has not had new prints made, there are usually quite decent
release prints available, because they won't have been abused very much the
first time round and will have been sitting on a shelf ever since. In
particular I have recently shown beautiful 70mm copies of 'The Sand Pebbles'
and 'The Man Who Would be King' in the last month or two. Eastmancolor fading
and brittle acetate can cause problems in prints of this age, but for this sort
of film, they're often totally free of scratches, dirt and joins. For a film
like 'Heaven's Gate', I would have thought that UCLA could have located a
good-quality release print to use for access purposes, and certainly one
without a mis-synched reel.
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