SCREEN-L Archives

February 1999, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 7 Feb 1999 16:02:54 -0800
Reply-To:
Subject:
MIME-Version:
1.0
Content-Transfer-Encoding:
7bit
Content-Type:
text/plain; charset=us-ascii
Organization:
Framingham State College
From:
"Robert Johnson, Jr." <[log in to unmask]>
Parts/Attachments:
text/plain (33 lines)
"Blow Up" comes to mind immediately.

Robert
Framingham State College
========================
DR J J JACOBS wrote:
>
> I'm looking for examples of films or television programmes that use
> still photography as an aspect of their mise-en-scene, particularly
> those that 'energise' the photograph within the temporal continuity
> of the film (e.g. using voice-over narration). I'd also be grateful
> for reading suggestions ( I've looked at the Patrice
> Petro collection, FUGITIVE IMAGEs, and take Sontag, Bourdieu and
> Benjamin as read).
> Any suggestions -  from the opening of Chinatown to La Jettee! - most
> welcome.
>
> Jason
>
> Dr Jason Jacobs
> Department of Film and Television Studies
> University of Warwick
> Coventry
> CV4 7AL
>
> ----
> Screen-L is sponsored by the Telecommunication & Film Dept., the
> University of Alabama.

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama.

ATOM RSS1 RSS2