>Date: Tue, 22 Sep 1998 21:02:06 -0500
>From: Anthony Enns <[log in to unmask]>
>Subject: CFP: Cinema & Disability (12/15; 3/26-3/28)
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>To: [log in to unmask]
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>
>SCREENING DISABILITY
>A CONFERENCE ON CINEMA AND DISABILITY
>
>March 26-28, 1999
>The University of Iowa
>Iowa City, IA
>
> The Cinema and Disability Group, associated with The Institute for
>Cinema
>and Culture at the University of Iowa, is soliciting abstracts for its 1999
>conference on Cinema and Disability. The Cinema and Disability Group is
>searching to understand the portrayal, depiction and use of disabled
>individuals in cinema. Through this conference, the Group hopes to
>actively initiate the interest and exchange of ideas in the fields of
>cinema studies, disability studies and critical theory.
> Depictions and portrayals of persons in American popular films who live
>with disability have changed over time, sometimes influencing, at other
>times responding to, societal attitudes and beliefs. The primary goal of
>the conference is to attempt to understand these films in a new way, giving
>attention to how they present the phenomenon of disability, what they
>contribute to our societyís perception of disability, and how we can use
>such films to understand the nature of being human. Our mission is
>twofold: (1) we want to foster an environment where discussing, writing,
>and analyzing disability films as cinematic vehicles of meaning will occur,
>and (2) we are calling for a pursuit of a deeper understanding of the
>disabled experience. As these goals converge, we can begin to question
>whether or not films have displayed an authentic disabled persona, as well
>as question whether such a task is even possible.
>
>Invited Speakers:
>
>Paul K. Longmore (San Francisco State University), author of several
>influential
> articles and essays dealing with disability and the media
>Martin F. Norden (Massachusetts University in Boston), author of _The
>Cinema of
> Isolation: A History of Physical Disability in the Movies_
>Billy Golfus, filmmaker, director of _When Billy Broke His Head_
>
>
>Topics may reflect the following emphases in terms of cinema and disability:
>
>ï Structural, Psychoanalytical and/or Poststructuralist Approaches
>ï Socio-Cultural Approaches
>ï Issues of Gender and Sexuality
>ï Cinematography and Technical Aspects
>ï Sound
>ï Queer Studies
>ï World Cinema
>ï Historical Approaches
>ï Feminist Studies
>ï Star Studies of Disabled Stars (Lionel Barrymore, Marlee Matlin, Tom
>Thumb, etc.)
>ï Auteur Studies
>ï Socio-Political Approaches
>ï Methodological/Pedagogical Concerns (ie, how to study and teach cinema
>and disability)
>ï Freaks, Carnivals and Cultural Exhibitions
>ï Representations of Specific Disability (Blindness, Deafness, Physical,
>Mental Illness, etc.)
>ï Portrayals of Disease (AIDS, Environmental Illness, Alcoholism, etc.)
>ï Documentary Studies
>ï Ethnographies
>ï Reception Studies
>ï Cinema and the Effects of the Americans with Disabilities Act
>
>The conference welcomes diverse and creative interpretations of its topics.
>
>
>Please send 1-2 page abstracts by December 15, 1998 to the following address:
>
>The Cinema and Disability Group
>c/o Christopher R. Smit
>Dept. of Communication Studies
>105 Becker Communication Studies Bldg.
>University of Iowa
>Iowa City, IA 52242
>
>For more information contact Christopher Smit at (319)351-6134 or
>[log in to unmask]
>
>
>
> ===============================================
> From the Literary Calls for Papers Mailing List
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> Full Information at
> http://www.english.upenn.edu/CFP/
> or write Jack Lynch: [log in to unmask]
> ===============================================
>
Johnson Cheu
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The Ohio State University*English Dept.*421 Denney Hall*164 W. 17th. Ave.*
Columbus, OH 43210*(614) 292-1730 (O)*(614) 292-6065 (D)*(614) 292-7816 (Fax)
----
Online resources for film/TV studies may be found at ScreenSite
http://www.tcf.ua.edu/screensite
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