SCREEN-L Archives

March 1997, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Jeremy Butler <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 18 Mar 1997 08:00:21 -0600
Content-Type:
text/plain
Parts/Attachments:
text/plain (183 lines)
Forwarded by Jeremy Butler.  For more information, contact
[log in to unmask]
 
 
______________________________ Forward Header __________________________________
Subject: ICSFV Symposium
Author:  [log in to unmask]
Date:    3/17/97 7:36 PM
 
 
ICS  Institute for Cognitive Studies
     in Film and Video
     ************************
     The University of Kansas
     ************************
 
SYMPOSIUM
April 18, 1997
 
 
* Mark Your Calendar *
 
 
*** COGNITIVE SCIENCE AND THE FUTURE OF FILM STUDIES ***
 
The Institute for Cognitive Studies in Film and Video is pleased to invite
faculty and students to a symposium on Cognitive Science and the Future of
Film Studies, Friday, April 18.  The day long event will be held at the Herk
Harvey Sound Stage in Oldfather Studios (9th and Avalon) and is sponsored by
the Department of Theatre and Film, University of Kansas.  The symposium
will begin at 9 A.M. and close at 4:30 P.M.  There will be a lunch break
from 12:00 to 2:00, and a reception from 4:30 to 5:30.  Participants will be
asked to register at the door; there is no admission charge.
 
Eight distinguished scholars in the field of Film Studies will present papers
(list attached).  Among them are David Bordwell and Noel Carroll, authors of
MAKING MEANING and MYSTIFYING MOVIES, respectively, and most recently
co-editors of POST THEORY: RECONSTRUCTING FILM STUDIES.  They have led the
cognitive revolution in the field of film studies for almost a decade.
 
The symposium is in part a response to the tremendous outpouring of support
for the work the Institute for Cognitive Studies in Film and Video has done
during the past year in opening the field of film studies to the vast amount of
information available from cognitive science.  It is in this spirit of
openness that the symposium is offered.
 
Because of considerable international interest in the cognitive paradigm in film
studies, the proceedings will be published electronically via the internet and
videotapes of the entire symposium will be available from the Institute.
 
 
 
 
 
******************************************************************************
Oldfather Studios, 1621 West Ninth Street, Lawrence, KS  66044
Phone  913/749-1130    Fax  913/331-2671    e-mail: [log in to unmask]
******************************************************************************
 
 
 
 
 
ICS  Institute for Cognitive Studies
     in Film and Video
     *******************************
     The University of Kansas
     *******************************
 
SYMPOSIUM
April 18, 1997
 
        *** Cognitive Science and the Future of Film Studies ***
 
  8:30 a.m.     Coffee and rolls - Herk Harvey Soundstage
 
  9:00 a.m.     Welcome - Martha Hensley
                Introduction - Joseph Anderson
 
  9:30 a.m.     KEYNOTE ADDRESS
                Noel Carroll (University of Wisconsin-Madison)
                Note: Noel Carroll will appear via video
 
 10:00 a.m.     TRANSFORMATIONAL FUNCTIONS OF CINEMA
                Stephen Prince (Virginia Tech)
 
 10:30 a.m.     THE OBJECT IS ALSO LISTENING: COGNITION AND SOUND
                Edward Branigan (University of California-Santa Barbara)
 
 11:00 a.m.     IMAGINING FROM THE INSIDE
                Murray Smith (University of Kent at Canterbury - U.K.)
 
 11:30-12:00    DISCUSSION
                Moderator:  Wayne Munson (Fitchburg State College)
 
 12:00-1:45     Lunch Break
 
  2:00 p.m.     INFORMATION IN MOVEMENT
                Ed S. Tan (Vrije Universiteit - Amsterdam, The Netherlands)
 
  2:30 p.m.     EMOTIONAL CONTAGION AND THE HUMAN FACE ON FILM
                Carl Plantinga (Hollins College)
 
  3:00 p.m.     READING FACES: COGNITION AND CULTURAL PROBLEMS
                Charles Edisvik (University of Georgia)
 
  3:30 p.m.     CLOSING REMARKS; OR CULTURE, COGNITION AND EVOLUTION
                David Bordwell (University of Wisconsin-Madison)
 
  4:00 p.m.     DISCUSSION
                Moderator: Wayne Munson (Fitchburg State College)
 
  4:30 p.m.     Reception
 
 
 
 
 
 
 
 
 
 
 
        DAVID BORDWELL is the Jacques Ledoux Professor of Film in the
        Communication Arts Department at the University of Wisconsin-Madison.
        He is an internationally recognized film scholar, whose recent books
        include *The Cinema of Eisenstein* (Harvard University Press, 1993),
        with Kristin Thompson *Film History: An Introduction*
        (McGraw-Hill, 1994).  He is co-editor with Noel Carroll of *Post
        Theory: Reconstructing Film Studies* (University of Wisconsin Press,
        1996) and author of the forthcoming *On the History of Film Style*
        (Harvard University Press, 1997).
 
        EDWARD BRANIGAN is Professor of Film Studies and Chair of the Film
        Studies program at the University of California-Santa Barbara.  He
        is author of *Point of View in the Cinema: A Theory of Narration and
        Subjectivity in Classical Film* (Mouton, 1984) and *Narrative
        Comprehension and Film* (Routledge, 1992).
 
        NOEL CARROLL is the Monroe C. Beardsley Professor of the Philosophy
        of Art at the University of Wisconsin-Madison.  He is the author
        of *Philosophical Problems of Film Theory* (Princeton University
        Press, 1988), *Mystifying Movies* (Columbia University Press, 1988),
        *The Philosophy of Horror* (Routledge, 1990), and co-editor with
        David Bordwell of *Post Theory: Reconstructing Film Studies*
        (University of Wisconsin Press, 1996).
 
        CHARLES EIDSVIK is Professor in the Department of Drama at the
        University of Georgia and author of the classic text *Cineliteracy*
        (Random House, 1978).
 
        WAYNE MUNSON is Professor in the Department of Communications/Media
        at Fitchburg State College in Fitchburg, Massachusetts.  He has
        received national recognition for his book *AllTalk: The Talk
        Show in Media Culture* (Temple University Press, 1993).
 
        CARL PLANTINGA is Associate Professor of Film at Hollins College.
        He is co-editor of the forthcoming *Passionate Views: Thinking About
        Film and Emotion* (Johns Hopkins, 1997) and author of *Rhetoric
        and Representation in Nonfiction Film* (Cambridge, 1997).
 
        STEPHEN PRINCE is Associate Professor of Communication Studies at
        Virginia Tech.  His most recent book is *Movies and Meaning: an
        Introduction to Film* (Allyn and Bacon, 1997), and his new book,
        *Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies*
        will be published by Texas University Press later this year.
 
        MURRAY SMITH is Lecturer in Film Studies at the University of Kent
        at Canterbury (U.K.).  He is author of *Engaging Characters: Fiction,
        Emotion, and the Cinema* (Oxford Clarendon Press, 1995), and
        co-editor with Richard Allen of *Essays in Philosophy of Film*
        (Oxford University Press, 1996).
 
        ED TAN is Professor on the Faculty of Arts at Vrije Universiteit
        in Amsterdam (The Netherlands).  He is author of *Emotion and the
        Structure of Narrative Film* (Lawrence Erlbaum, 1996) and numerous
        articles on film theory.
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2