SCREEN-L Archives

January 1996, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Gene Stavis <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 14 Jan 1996 12:31:23 -0800
Content-Type:
text/plain
Parts/Attachments:
text/plain (21 lines)
----------------------------- Begin Original Text
-----------------------------
 
Alfred Hitchcock's "The Birds" (1963) utilized thousands of crows and
seagulls in the title roles. Does anyone know how these birds were acquired
and trained?
----------------------------- End Original Text -----------------------------
 
"The Birds" was a miracle of special effects. Of course, there were some
trained birds, but not nearly as many as one would think. Often, hundreds of
individual shots of birds were combined (in pre-computer days) into one or
two shots. Hitchcock was a master of (and a believer in) visual effects.
Virtually every one of his films has a technical feat of virtuosity only
sometimes viible to the naked (or untrained) eye.
 
Gene Stavis, School of Visual Arts - NYC
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2