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December 1995, Week 1

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Subject:
From:
Rob Tregenza <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 29 Nov 1995 19:51:10 -0800
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You are correct about this M. Frank is wrong.  The context (which is part of
the existential horizon of the event) must remain central to any meaningful
 interpretation. This is why the artist's intention must move to the back
of the bus for awhile (for ever?)
 
 Godard has known this since the start. Have you
seen the book on Godard that the Museum of Modern Art put out?
"Son+Image 1974-1991" The essay by Jean-Louis Leutrat is important as is
the Deleuze.
 
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