SCREEN-L Archives

April 1995, Week 1

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
"Kirk W. Laughlin" <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 5 Apr 1995 16:11:57 CDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (17 lines)
----------------------------Original message----------------------------
These are just off the top of my head:
 
"The Conversation" (Francis Ford Coppola). The entire plot revolves
around the protagonist's interpretation (or MIS-intepretation) of a
recorded conversation.
 
"Blow Out" (Brian DePalma). The plot centers on a recorded SOUND (not
a person's voice, but maybe that's an idea).
 
Some of the information about Colonel Kurtz in "Apololypse Now" comes from
a tape of his radio broadcasts.
 
That's all I can think of right now.
 
-- Kirk

ATOM RSS1 RSS2