SCREEN-L Archives

June 1994

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Alison McKee <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sat, 11 Jun 1994 00:48:00 PDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (15 lines)
------------------------------TEXT-OF-YOUR-MAIL--------------------------------
 
> On Fri, 10 Jun 1994, Steve . Kellman wrote:
>
> > Though it is not an aesthetic justification, it should be noted that
> > Spielberg's use of the red coat has precedent in the Thomas Keneally book
> > from which he derived the story.  Keneally describes a little girl in
> > Cracow who stands out from all the others by the brilliant red of her
> > clothing.
>
>   thank you for mentioning this -- the witnesses who told Keneally
> of the Cracow round-up remarked on this small girl in her very red coat,
> and how it seemed impossible that she wouldn't be seen by the Gremans.
> It is an extraordinarily visual passage in the book.

ATOM RSS1 RSS2