SCREEN-L Archives

March 1994

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Date:
Tue, 1 Mar 1994 17:42:43 EST
In-Reply-To:
Message of Mon, 28 Feb 1994 21:14:00 PST from <IZZYRL7@UCLAMVS>
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (19 lines)
On Mon, 28 Feb 1994 21:14:00 PST Potter Palmer said:
>
>I also think that we would be remiss if we did not address the class issue here
>Clearly Kerrigan has been represented as coming from and representing upper-
>class values, while Harding has been represented as "white trash". Hence, Kerr-
>igan is allowed to become "America's Darling" while Harding is not.
>
social class is an issue, but not the one described above.  It has been
widely publicized that Kerrigan's father is a welder who worked two-three
jobs to support what is a very expensive activity.  (The estimates I've
seen say $20,000 to $30,000 annually at the top levels of competition.
Someone has to pay rink fees, coaches, costumes, choreographers, etc.)
 
Wouldn't it be great if life presented us with simple solutions?
 
-------------------------------------------------------------------
Cal Pryluck, Radio-Television-Film, Temple University, Philadelphia
<[log in to unmask]>  <PRYLUCK@TEMPLEVM>

ATOM RSS1 RSS2