SCREEN-L Archives

October 2018, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Media Industries Journal <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sat, 20 Oct 2018 11:11:56 +0630
Content-Type:
text/plain
Parts/Attachments:
text/plain (164 lines)
Dear Friends,



*Media Industries *is pleased to announce the publication of its latest
issue (Vol. 5, No. 2). This issue is now live on our website and features
both open call submissions and a special section on Global Internet
Television edited by Amanda D. Lotz (University of Michigan), Ramon Lobato
(RMIT University), and Julian Thomas (RMIT University).



About Vol. 5, No. 2



Featured Articles

· Commissioning and Producing Public-Service Content: British Arts
Television – Caitriona Noonan

· The Fan/Creator Alliance: Social Media, Audience Mandates, and the
Rebalancing of Power in Studio-Showrunner Disputes – Annemarie Navar-Gill



Special Section: Global Internet Television

· Internet-Distributed Television Research: A Provocation – Amanda
D. Lotz, Ramon Lobato, Julian Thomas

· HBO’s e-EUtopia – Aniko Imre

· Web TV as a Public Service: The Case of Stream.cz, the
East-Central European Answer to YouTube – Dorota Vašíčková and Petr
Szczepanik)

· Entertaining Africans: Creative Innovation in the (Internet)
Television Space – Lindiwe Dovey

· Creating Children’s Television for SVODs: The Alignment of Global
Production Practices with National Screen Policies in the Netflix
Original *Bottersnikes
and Gumbles* – Anna Potter

· Netflix and the Reconfiguration of the Australian Television
Market – Graeme Turner

· Games without Frontiers: Streaming Sports and the Evolution of
Digital Intermediaries – Steven Secular



Book Reviews

· Popular Music as Promotion: Music and Branding in the Digital Age
– Review by Landon Palmer

· (Not) Getting Paid to Do What You Love: Gender, Social Media, and
Aspirational Work – Review by Austin Morris

· The New Gay for Pay: The Sexual Politics of American Television
Production – Review by Kathleen Farrell

· Localising Hollywood – Review by Ryan Stoldt

· The End of Ownership: Personal Property in the Digital Economy –
Review by Michael Van Esler

· Republic on the Wire: Cable Television, Pluralism, and the
Politics of New Technologies, 1948-1984 – Review by Chuck Tryon



*Call for Papers*



*Media Industries* accepts open call submissions on a rolling basis, and we
encourage you to submit your research for our next peer-reviewed issue.



Submissions can address the full spectrum of media industries, including
film, television, internet, radio, music, publishing, gaming, advertising,
and mobile communications, and query a range of industry-related concerns
and processes, such as production, distribution, infrastructure, policy,
exhibition, and retailing. Contemporary or historical studies may explore
industries individually or examine relations between industrial sectors,
employing qualitative, quantitative, or mixed methodologies.



We expect contributions to adopt a critical, rather than instrumental,
perspective and engage with relevant media industries literature. We are
especially interested in contributions that draw attention to global and
international perspectives, and use innovative methodologies, imaginative
theoretical approaches, and new research directions. We encourage authors
to employ the online format creatively by incorporating audiovisual
materials and hyperlinks within their articles.



*About Media Industries*



The journal is maintained by a managing *Editorial Collective
<http://www.mediaindustriesjournal.org/about.html>* and *Editorial Board
<http://www.mediaindustriesjournal.org/editors.html>*comprised of an
international group of media industries scholars. Editorial and
administrative responsibilities are shared amongst faculty members at the
following institutions: The Chinese University of Hong Kong; Georgia State
University; King’s College London; Lingnan University; Queensland
University of Technology; Royal Melbourne Institute of Technology;
Stockholm University; University of California, Santa Barbara; University
of Nottingham; and University of Texas at Austin.



*About Michigan Publishing *



In late 2016 *Media Industries *moved its online presence to an open-access
platform hosted by Michigan Publishing at the University of Michigan,
Ann-Arbor. Hosting more than 30 open access journals, Michigan Publishing
shares our commitment to making cutting edge research easily discoverable,
accessible, and shareable with readers around the world. Michigan
Publishing’s platform connects with more than two million readers per year,
which we expect will help expand and strengthen the journal’s readership in
the years to come.



For additional information about *Media Industries*, please visit:



Website: *mediaindustriesjournal.org <http://mediaindustriesjournal.org/>*

Email: *[log in to unmask] <[log in to unmask]>*

Facebook: *facebook.com/mediaindustriesjournal
<http://facebook.com/mediaindustriesjournal>*

Twitter: *twitter.com/mediaindjournal <http://twitter.com/mediaindjournal>*



Sincerely, the *Media Industries *Editorial Collective



Amelia Arsenault, Darrell William Davis, Christian Christensen, Stuart
Cunningham, Michael Curtin, Elizabeth Evans, Terry Flew, Anthony Fung,
Jennifer Holt, Ramon Lobato, Paul McDonald, Ross Melnick, Alisa Perren,
Kevin Sanson, Jeanette Steemers, Julian Thomas, and Patrick Vonderau,
Emilie Yueh Yu Yeh.

----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message. Problems? Contact [log in to unmask]

ATOM RSS1 RSS2