<https://spiralfilmphilosophy.wordpress.com>
CALL FOR PAPERS
Since Muybridge’s chronophotographic experiments, the relationship
between cinema and time has been well documented. Less obvious, perhaps,
is the relationship of cinema with space. Following the so-called
digital mutation of recording and viewing technologies, this issue has
nonetheless made its way to the forefront of cinema and media studies.
It is not only that moviegoing is being decentered by the rise of
portable viewing platforms — as cinema happens more and more outside of
traditional theatres —, but also that the usual medium of inscription of
film — the celluloid base — has been radically opened by new media.
This recent dislocation of film represents a unique opportunity to
examine the relationship between space, philosophy and film. What does
it mean for film-philosophy to happen — to take place — as a theoretical
event in the gaps opened by this disruption? In what ways can thinking
be informed by this spatial turn going on in film and media studies?
What kinds of possibilities arise when the spatiality of the medium is
considered from a cinematic perspective? All these questions require
that we carry over Foucault’s intuition into film-philosophy: “[t]he
present epoch will perhaps be above all the epoch of space.”
We specifically seek papers that engage space and cinema beyond both the
static and the merely representational. The focus should instead be on
the dynamic way in which the visual tracing of movement allows for both
the creation of space and the opening of new paths for thought. Topics
and issues to cover may include (but are not limited to):
- immersive experience involving sight, sound and other senses;
- aesthetic and critical approaches to developments in virtual
reality and “total cinema”;
- mediations allowed by the cinematic experience;
- cinematic and mediatized tracing and mapping of space
(gesture, projection, etc.);
- the architecture of movement;
- dislocation of the filmgoing experience (cinematic
experience decentered: GIF, iPhone);
- cinematic space less as object of representation, but as
process of thought-making;
- cinematic questioning of traditional space (i.e.
space-folding in Inception, deconstruction of classical spatial
grammar in post-WWII European cinema)
- topological approaches to thinking the axes of space and
time in the creation of cinematic worlds;
- innovative cinematic treatment of specific typologies of
space: interstellar space (Gravity), place, location, zone (Stalker),
area, ambiance, environment and ecology (first space
footage of Earth), globalization;
- phenomenological and affective inquiries into living spaces,
lifeworlds, etc.;
- posthuman, object-oriented, and speculative realist
inquiries into non-, post-, and para-human space (hyperobjects,
anthropocene, chthulucene, capitalocene, etc.);
- space and (in)visibilities in cinema and media (sites of
appearance and disappearance, scenes of light and darkness, staging,
audition, etc.);
- biopolitical engagements with space and place (i.e. the
camp, logics of capture, everyday life)
- fragmentation of space (Shaviro’s post-continuity);
- critiques of settler colonial space; decolonial spatial
practies;
- the poltical economy of space (gentrification and images,
territorialization and deterritorialization, etc.)
- financialized space (eg.. virtual space of the stock market)
We welcome papers that engage with the work of specific philosophers and
theorists who think about space and philosophy from a variety of
perspectives and further relate them to questions of cinema and media
studies. We also welcome filmmakers, media practitioners, and activists
to present and discuss their work.
The confirmed Keynote Speaker is Andrew Culp, Professor in the Faculty
of Aesthetics and Politics at California Institute of the Arts. He is
the author of Dark Deleuze (University of Minnesota Press, 2016), and
has published articles and interviews in boundary 2, Quarterly Journal
of Speech, Communication and Critical/Cultural Studies, parallax,
Angelaki, Affinities, and Radical Philosophy. He is currently working on
a book project entitled Persona Obscura.
The conference will be held in Toronto, Canada May 11-12, 2018.
Please send a 300-350-word abstract, brief bibliography, and bio (with
institutional affiliation, if applicable) in one document as an email
attachment to [log in to unmask]
<mailto:[log in to unmask]> by Friday, March 2, 2018.
Notifications about acceptance or rejection of proposal will be sent
promptly.
Conference Registration Fee:
Conference Attendance: $100 (Canadian)
Graduate Students and Underemployed: $50 (Canadian)
spiralfilmphilosophy.ca <http://spiralfilmphilosophy.ca>
facebook.com/events/509622759411860
<http://facebook.com/events/509622759411860>
Organized by the Spiral Film and Philosophy Collective in collaboration
with the department of Cinema and Media Studies, York University.
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