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November 2016, Week 3

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Subject:
From:
Rachel Shand <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 15 Nov 2016 15:34:21 +0000
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Dear SCREEN-L Subscribers,

Free postage to UK customers

We hope the following title will be of interest to you.

Paul Thomas Anderson
George Toles
   "George Toles is film studies' most astute close reader and its finest prose stylist. This book captures the ineffable strangeness of P. T. Anderson's films--their unusual forms, unsettled soundscapes, and characters wanting unmet connections. Toles explores the subjective interiors and cultural terrain these blinkered selves--and we viewers--cannot fully see. It's been said that actors are our substitutes, avatars who test unplumbed psychic depths. So it is with Toles, our guide to these miraculous films."--Carol Vernallis, author of Unruly Media: Youtube, Music Video, and the New Digital Cinema
   "Scriptwriter for films by Guy Maddin, George Toles is also one of the most insightful and articulate critics writing today. Tackling the enigmatic Paul Thomas Anderson, Toles probes these dramas of isolation, revealing both desperate violence and the possibility of communion."--Tom Gunning, author of The Films of Fritz Lang: Allegories of Vision and Modernity
   "Here, caught within its covers, is the inimitable George Toles's richly challenging and brilliantly lambent voyage into the world of P. T. Anderson. Always turning and returning, always leaping and quivering with thought, the book opens Anderson to a new sense of value and depth that reveals his poetry, his multiplicities, and his touch upon our lives."--Murray Pomerance, author of Moment of Action: Riddles of Cinematic Performance
   Since his explosive debut with the indie sensation Hard Eight, Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature Punch-Drunk Love radically reimagined the romantic comedy. Critics hailed There Will Be Blood as a key film of the new millennium. In The Master, Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence and the production of the unaccountable. Anderson, Toles shows, is an artist obsessed with history, workplaces, and environments but also intrigued by spaces as projections of the people who dwell within. Toles follows Anderson from the open narratives of Boogie Nights and Magnolia through the pivot that led to his more recent films, Janus-faced masterpieces that orbit around isolated central characters--and advance Anderson's journey into allegory and myth. Blending penetrative analysis with a deep knowledge of filmic storytelling, Paul Thomas Anderson tours an important filmmaker's ever-deepening landscape of disconnection.
George Toles is Distinguished Professor of English at the University of Manitoba. He is the author of A House Made of Light: Essays on the Art of Film.

University of Illinois Press

Contemporary Film Directors
July 2016 232pp 9780252081859 PB £18.99 now only £15.19* when you quote CSL16PAUL when you order
http://www.combinedacademic.co.uk/paul-thomas-anderson
UK Postage and Packing FREE, Europe £4.50, RoW £4.99
(PLEASE QUOTE REF NUMBER: CSL16PAUL** for discount)
To order a copy please contact Marston on +44(0)1235 465500 or email [log in to unmask]<mailto:[log in to unmask]>
or visit our website:
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