Duke University Press is pleased to announce the publication of a new book
of interest to Screen-L subscribers.
In *Animating Film Theory, *this edited collection provides an enriched
understanding of the relationship between two of the most unwieldy and
unstable organizing concepts in cinema and media studies: animation and
film theory. For the most part, animation has been excluded from the
purview of film theory. The contributors to this collection consider the
reasons for this marginalization while also bringing attention to key
historical contributions across a wide range of animation practices,
geographic and linguistic terrains, and historical periods.