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December 2013, Week 2

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Subject:
From:
William Brown <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 11 Dec 2013 17:51:35 +0000
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The University of Roehampton, London, is part of a consortium group called
TECHNE that has recently been awarded a doctoral research training
partnership grant of over £13 million, creating 176 doctoral studentships
over the next 5 years.


Expressions of interest in these funded doctoral studentships are therefore
welcome from potential PhD candidates at the University of Roehampton,
London.


Details of how to submit expressions of interest are included in the
attached flyer, although potential applicants are also asked to email a
brief document (c500 words), outlining their proposed area of research and
indicating the names of any academic staff with whom they have been, or
plan on being, in discussion.


This should be sent to [log in to unmask] as soon as possible.


Supervisory teams will then be identified for the potential candidate, and
the teams will then work with the applicant to develop a formal application
for the TECHNE scholarships.


The University of Roehampton, London, is in partnership for TECHNE with
Royal Holloway, the University of Brighton, Kingston University, the Royal
College of Art, the University of the Arts, and the University of Surrey.


Roehampton’s Graduate School has set up an institutional website, where
further information about the studentships, subject areas and so on can be
found:


<http://www.roehampton.ac.uk/Courses/Graduate-School/TECHNE-AHRC-Doctoral-Training-Partnership>

http://www.roehampton.ac.uk/Courses/Graduate-School/TECHNE-AHRC-Doctoral-Training-Partnership
/


In addition, there is a TECHNE website, hosted by the University of
Brighton available here:


<http://arts.brighton.ac.uk/techne>

http://arts.brighton.ac.uk/techne

 The scholarships were advertised in *The Guardian* last week and
applications are now 'live'.


Below is a list of potential supervisors in Film and Media at Roehampton,
together with a list of research specialisations.

*Dr Stacey Abbott *

vampires • zombies • horror • gothic • science-fiction •
special-effects • romantic
comedy • cult TV • Joss Whedon • JJ Abrams

*Paul Antick *

conceptual photography • documentary-fiction • dark tourism • conceptual
writing • performance • practice as research • postmodernist ethnography

*Dr Caroline Bainbridge *

psychoanalysis, culture and media • images of Gender • emotions in culture
• Lars von Trier • women and media • object relations and popular culture

*Dr Anita Biressi *

documentary • popular factual programming • journalism and current affairs
• crime and law and order in the media •social class •feminist media
studies

*Dr William Brown *

digital cinema • film theory • film-philosophy • cognition and film •
neuroscience
and film • world cinema • special effects • transnational cinema • Hollywood


*Professor Michael Chanan *

documentary practice and theory • Latin American cinema • video activism •
the soundtrack • music in film • political economy of cinema

*Enrica Colusso *

documentary film form, theory and practice • documentary as cognitive and
representational practice •visual anthropology • cross-cultural
representation • place and Identity •representing time and space • interactive
non-linear storytelling

*Professor Ros Coward *

journalism • confessional journalism • environmental journalism • feature
writing, • tabloid websites • women and journalism

*Dr Andrea Esser *

internationalisation of television • television industry trends • TV
Formats • cultural globalization • programme flows • audio-visual content •
popular entertainment • television consumption and reception •
commercialisation of television

*Dr Deborah Jermyn *

postfeminism • Hollywood • women in film and TV • stardom & celebrity • TV
drama

*Professor Heather Nunn *

gender and politics • politics and mass communication • social class and
culture • reality and lifestyle media • tabloid culture and popular
journalism • Conservative politics and culture • images of childhood

*Dr Iain Smith *

transnational cinemas • cult film and television • film remakes • film
adaptation • global Hollywood • fandom • popular Asian cinemas • piracy and
new media • film censorship • Bollywood

*Dr Michael Witt *

French cinema • avant-garde cinema • experimental film • documentary •
cinema history • film theory • film philosophy • audio-visual film
criticism • video essays • Jean-Luc Godard



-- 
Dr William Brown
Senior Lecturer in Film
Department of Media, Culture and Language
University of Roehampton
London  SW15 5PU
T: (020)8 392 3713
M: 07950 978 708
E1: [log in to unmask]
E2: [log in to unmask]
Blog: http://wjrcbrown.wordpress.com/
Website: http://begstealborrowfilms.wordpress.com/

Author: Supercinema: Film Philosophy for the Digital Age (2013)
Co-author: Moving People, Moving Images: Cinema and Trafficking in the New
Europe (2010)
Co-editor: Deleuze and Film (2012)
Co-editor: Special Issue of animation: an interdisciplinary journal on
Avatar (2012)
Director: En Attendant Godard (2009), Afterimages (2010), Common Ground
(2012), China: A User's Manual (Films) (2012)

----
Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org

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