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December 2011, Week 2

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Subject:
From:
Susan Morrison <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 11 Dec 2011 11:46:27 -0600
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Call For Papers: ‘Beyond the Narrative: Social Issues on Film’ and  
‘Bromance films’
CineAction #88

Beyond the Narrative: Social Issues on Film

Recently, the theme of ‘Social Issues’, once relegated to the  
documentary, appears to be of increasing interest to fiction  
filmmakers; a little meaningful ‘content’ mixed in with the  
entertaining story. For the purpose of CineAction #88, we are   
interpreting ‘Social Issues’ in its broadest sense to include anything  
and everything to do with the state of society and social life,  
whether motivated by political, economic, or indeed social forces.  
While some directors like John Sayles and the Dardenne brothers have  
always focused on narratives that deal with these concerns, there  
seems to be a growing number of filmmakers who are tackling and/or  
tacking on the ‘bigger issues’. Examples include big budget/big star  
films (Traffic, Syriana, Blood Diamond),low budget indies (Martha  
Marcy May Marlene, Margin Call), and Canadian (Philippe Falardeau’s  
Monsieur Lazhar and Denis Villeneuve’s Incendies) and European ‘art  
films’(Kassovitz’s La Haine, Kaurismaki’s Le Havre, Olmi’s The  
Cardboard Village). We welcome any approach to this broad theme:  
investigations and/or analyses of specific films, directors, topics,  
approaches, or theories.
Bromance films
While this could be seen as a sub-genre of Social Issue films, it is  
possible to look at the genesis of this new genre in terms that extend  
beyond the social. A seeming extension and updating of the ‘buddy  
film’ genre, there appears to be more of interest and at stake here.  
It is noteworthy that in general, Bromance films are comedies, even  
and especially when the subject matter involves terminal cancer, as in  
the recent 50/50.

Papers should be submitted in hard copy, mailed directly to Susan  
Morrison, the editor of this issue. Once accepted for publication, the  
paper will then be emailed as a file attachment.
The deadline for submission is  April 15, 2012.  It would be  
appreciated if a brief proposal be submitted as early as possible as  
an indication of intention to submit.
A style guide is available on our website  www.cineaction.ca
Please address all queries and submissions to the issue’s editor:
Susan Morrison
314 Spadina Road
Toronto ON
Canada M5R 2V6
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