Run, Lola, Run.

                      --With warm regards,

                                   Norm
Norm Holland


On Fri, Jun 4, 2010 at 10:12 AM, W. McCarthy <[log in to unmask]> wrote:

> I wonder if someone would be kind enough to direct me toward any studies --
> or even mere lists of examples -- which have been made of the incorporation
> of images of a TV (and/or cinema) screen into a film's narrative -- screen
> within a screen, that is. What I have chiefly in mind are complex examples
> such as Arturo Ripstein's Así es la vida, Stone's Any Given Sunday,
> Cronenberg's Videodrome, Dassin's Dream of Passion, etc., in which the
> screen's images are somehow integral to (or make ironic comment upon) the
> on-going narrative. In Any Given Sunday, e.g., Wyler's 1959 Ben-Hur plays
> on
> a screen in order to produce an ironic atmosphere in a key scene. However,
> any instance, even incidental, in which a TV or film screen is incorporated
> would interest me.
>
> Gratefully,
> Bill McCarthy
>
> ----
> Screen-L is sponsored by the Telecommunication & Film Dept., the
> University of Alabama: http://www.tcf.ua.edu
>

----
For past messages, visit the Screen-L Archives:
http://bama.ua.edu/archives/screen-l.html