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February 2007, Week 4

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From:
Phil Powrie <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 25 Feb 2007 20:02:31 -0000
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1. Sound, Music, and the Moving Image

2. L'HISTOIRE VUE ET VECUE: VISUAL CULTURES IN MODERN FRANCE


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1. Sound, Music, and the Moving Image

Institute of Musical Research, Senate House, University of London, 10-12 September 2007

 
Call for papers, compositions, and round table discussions
 
The conference theme is 'Sound, Music and the Moving Image', and we intend this in the broadest possible sense. Bringing together practitioners and scholars from various disciplines, the conference will provide the opportunity to reflect on and challenge prevailing approaches to the sound/music and moving image relationship, and also to propose new directions in this dynamic field.  We hope that submissions will reflect work being carried out in the widest variety of musical traditions, cultural contexts, and methodological approaches.
 
The conference will take place between Monday 10th and Wednesday 12th September 2007 at Senate House, London, United Kingdom.
 
Keynote addresses will be provided by Professor Anahid Kassabian (University of Liverpool) and Professor Richard Dyer (Kings College, London).
 
There will also be a keynote interview and composition masterclass with Academy Award nominee Dario Marianelli (Pride and Prejudice, V for Vendetta). Further details about entry for the composition masterclass appear below.
 
The conference immediately precedes 'Musicology and Recordings', the combined CHARM (Centre for the History and Analysis of Recorded Music) and Royal Musical Association annual meeting (13-15 September, Royal Holloway, University of London).
 
The programme committee comprises: Julie Brown (Royal Holloway University
London) David Cooper (University of Leeds) Annette Davison (University of
Edinburgh) Miguel Mera (Royal College of Music) Albrecht Riethmueller (Institut fur Musikwissenschaft, Berlin)
 
Individual Papers: Abstracts of 300 words for 20 minute individual papers on any subject relating to the interaction between sound, music and the moving image should be e-mailed, as a Word attachment, to [log in to unmask] All abstracts will be considered anonymously.
 
Round tables: Round table organizers should provide an abstract of 700 words introducing the discussion topic for a 90 minute/2 hour presentation. All panel members must be listed (names and affiliations).
The round table organizer is the chairperson and acts as moderator.
Proposals should be e-mailed to [log in to unmask] as a Word attachment.
 
Compositions: Two copies of an audio CD and/or DVD of music for moving image should be submitted for consideration (paper scores are optional).
No more than three pieces of work should be submitted. Shortlisted composers will receive a short movie clip (Quicktime) for which they will have the opportunity to create a new score. The completed works will be presented and discussed in a composition masterclass with Dario Marianelli. All submitted materials should be clearly labelled and must include the name and contact details of the applicant. Please send submissions to:
 
'Marianelli Masterclass'
Sound, Music and the Moving Image
Institute of Musical Research
School of Advanced Study
University of London
Senate House
Malet Street
London WC1E 7HU
United Kingdom
 
Other: The programme committee welcomes proposals for themed sessions or for any other type of presentation. Please contact Julie Brown [log in to unmask] in the first instance to discuss proposals.
 
Deadline for all submissions: 17.00 GMT on Tuesday 27th March 2007. 
 
The committee will make a final decision on submissions by the 1st May and contributors will be notified as soon as possible thereafter.
 
For more information please contact the conference convenors:
[log in to unmask]
[log in to unmask]
 
Further information, including registration details, will be posted on the conference website:
http://music.sas.ac.uk/imr-events/



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2. L'HISTOIRE VUE ET VECUE: VISUAL CULTURES IN MODERN FRANCE

Cardiff School of European Studies 

April 5 2007
 

An exploration of the intersections between history and visual cultures in twentieth-century French and Francophone cultures

9.30-10.00: Registration


10.00-10.45: Hanna Diamond (Bath University): Visual Representations of the French Exodus of 1940

10.45-11.30: Nicola Cooper (Bristol University): Enlisting for Empire: Propaganda and Visual Cultures

11.30-12.00 Coffee

12.00-12.45 Maxim Silverman (Leeds University): Composite Images of Race and Horror in Michael Haneke's Caché.

12.45-2.00 Lunch

2-2.45 Ruth Cruickshank (Royal Holloway, University of London): (Re)cycling: Images of Nation and Others in Sylvain Chomet's Les Triplettes de Belleville

2.45-3.15 tea

3.15-4.00 Lucy Mazdon (Southampton University): Masculinity on the Road in the Films of Cédric Kahn 


Delegate Fees (to include tea, coffee and buffet lunch): 
Standard rate: £20.00
Postgraduate and reduced rate: £10.00 (On application, funding may also be available for postgraduate students to assist with transport costs) 

For further information, please contact the conference organisers, Dr Rachael Langford ([log in to unmask]) and Dr Claire Gorrara. To reserve a place, please contact Ms Gemma Broadhurst, Postgraduate and Research Secretary [log in to unmask]  029 20 876630 by Monday 2 April 2007.




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