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September 2006, Week 3


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Leslie Andersen <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Tue, 19 Sep 2006 15:01:20 -0700
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I?m pleased to announce the publication of Volume 1, no. 4 of The Journal 
of Film Music, a Festschrift devoted to Leith Stevens, edited by Mark
Brill. It includes all of Stevens? own mostly unpublished writings as

Mark Brill. Leith Stevens: Piano Prodigy?Jazz Band Conductor?
Composer for Radio, Films and Television
Zolona Stevens Moss. Leith Amadeus Stevens: Early Years and Family
Leith Stevens. Radio Versus Movie Underscoring
Leith Stevens. The Hollywood Composer
Leith Stevens. Music in the Films: The Promotion of FilmMusic in the
Concert Hall
Leith Stevens. Film Scoring: The UCLA Lectures
Leith Stevens. The Door to Atonality
Leith Stevens. The Logic of Concert Keys
William H. Rosar. Music for Martians: Schillinger?s Two Tonics and
Harmony of Fourths in Leith Stevens? Score for War of the Worlds (1953)
John G. Gordon. Leith Stevens: In Memoriam


Annette Davison. Hollywood Theory, Non-Hollywood Practice: Cinema
Soundtracks in
the 1980s and 1990s
Larry M. Timm. The Soul of Cinema: An Appreciation of Film Music.
?Music and Moving Image.? American Music. Edited by Gillian B. Anderson,
Thomas L. Riis, and Ronald H. Sadoff by Lora Matthews

Caryl Flinn. The New German Cinema: Music, History and the Matter of Style
by Angelica Fenner

Eric James. Making Music with Charlie Chaplin: An Autobiography by Dan

Anahid Kassabian. Hearing Film: Tracking Identifications in Contemporary
Film Music by James Wierzbicki

Randall D. Larson. Music from the House of Hammer: Music in the Hammer
Films by Rebecca Fülöp

Rerecording Max Steiner by Brian C. Thompson

Michael Schelle. The Score: Interviews with Film Composers by Nicholas

The Journal of Film Music (ISSN: 1087-7142), provides an interdisciplinary
forum for scholars in music, film and other disciplines who share a common
interest in this vital new area of scholarly inquiry. Though now
represented in mainstream journals in music, film, the media, and mass
communication, scholarly writing on film music is currently dispersed
across many publications throughout the world. By providing a scholarly
journal devoted to the subject, the interdisciplinary work of film music
studies can flourish. Contributions encompassing all aspects of film
music history, analysis, theory, and criticism are welcome. The website of
the Journal can be found at

Leslie Andersen, Managing Editor

Arts Librarian
California State University, Long Beach
1250 Bellflower Boulevard
Long Beach, CA 90840-1901
562-985-5529 (voice)
562-985-1703 (FAX)
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