Subject: | |
From: | |
Reply To: | |
Date: | Mon, 3 Nov 2003 17:40:51 +0000 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
| | F I L M - P H I L O S O P H Y | | | |
| | | | | | | | | | | | | | | |
| | | Journal : Salon : Portal | ||| | |
| ISSN 1466-4615 | | |
| || PO Box 26161, London SW8 4WD | | | |
| | http://www.film-philosophy.com | | | |
November 2003 Issue
Film History, Theory, and Philosophy
Richard Schellhammer
'Moving Pictures before Cinema: Mannoni's _The Great Art of Light and Shadow_'
Jan-Christopher Horak
'Change and Nothing But Change: On Rosen's _Change Mummified_'
Joke Hermes
'On Behalf of the Audience: A Critique of Janet Staiger's Notion of
the Practice of Reception'
Kristi McKim
'Remembrance of Cinema Past: Reading Nostalgia and Writing
Possibility in Annette Kuhn's _Dreaming of Fred and Ginger_'
Marcia Landy
'Traveling in Film Theory: Giuliana Bruno's _Atlas of Emotion_'
John S. Vassar
'A Universal Narrative?: On Ari Hiltunen's _Aristotle in Hollywood_'
Pablo Ortega-Rodriguez
'How is Disbelief Suspended?: On Carroll's _The Philosophy of Horror_'
Imre Szeman
'Film Beyond Metaphysics: On Wurzer's _Filming and Judgment_'
Cara O'Connor
'Ethics, Ambiguity, and Multi-Frame Narrative in Julie Talen's _Pretend_'
| | | | | | |
Film-Philosophy is designed as a 'salon-journal': a 21st century
international para-academic 24hour 'live event' version of
specialised academic publishing. Thus, over the course of the month,
the texts will be published one at a time through the email salon (as
well as on the website) so that they can be discussed and contested
and continued by salon members.
To join the salon, simply send the message:
join film-philosophy YOURNAME
or
join film-philosophy YOURNAME with digest
to: [log in to unmask]
(In the digest version you will receive salon posts in a single
email, sent about once a day.)
| | | | | | || | | | | | |
----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu
|
|
|