SCREEN-L Archives

August 2003, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Jessica Rosner <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 20 Aug 2003 11:53:53 -0400
Content-Type:
text/plain
Parts/Attachments:
text/plain (60 lines)
I doubt it, Wasn't the bio published BEFORE 1984?
--
Jessica Rosner
Kino International
333 W 39th St. 503
NY NY 10018
[log in to unmask]

> From: Scott Andrew Hutchins <[log in to unmask]>
> Reply-To: Film and TV Studies Discussion List <[log in to unmask]>
> Date: Tue, 19 Aug 2003 23:26:05 -0500
> To: [log in to unmask]
> Subject: Ray Milland
>
> Does anyone know if he talks about _The Gold Key_ in his autobiography? It's
> a 1984 shot-on-video movie by Richard G. Kutok that was tied with a real-life
> cash prize.
>
> Does anyone remember this spate? Does anyone know if there were more than
> four films like this. They all appear from 1984, but I don't have _Hey Vern,
> Win 1,000,000!_ to confirm. The other two I know of are David Hemmings's
> _Money Hunt: The Mystery of the Missing Link_ and _Treasure: In Search of
> the Golden Horse_.
>
> I just acquired _The Gold Key_ yesterday and not seen it, but the other two
> are actually good films. Hemmings's film is really silly, but it's clever and
> well-done, even suggesting some influence from having worked with Argento,
> though the clues are more obviously clues. _Treasure_ is a gorgeous and
> surreal film that wasn't solved until after it ended. It looks like it might
> have been a major influence on Jim Henson's _Labyrinth_, as it appeared two
> years earlier. _Treasure_ was also Elisha Cook's penultimate film. The
> film's storybook style oddly leaves him with the only speaking part, not
> counting the narrator, though he isn't the lead, which makes it all the more
> surreal, since the lead (Dory Dean) never talks to him, or anyone else.
>
> I'm assuming no scholarship has ever been done on these films. I've had to
> add them to the IMDb myself.
>
> Scott Andrew Hutchins
> [log in to unmask]
>
> Examine The Life of Timon of Athens at Cracks in the Fourth Wall
> Theatre & Filmworks
> http://mywebpages.comcast.net/scottandrewh
>
> "But since in fact we see that avarice, anger, envy, pride, sloth, lust and
> stupidity commonly profit far beyond humility, chastity, fortitude, justice
> and thought, and have to choose, to be human at all...why then perhaps we
> *must* stand fast a little--even at the risk of being heroes." --Sir Thomas
> More, _A Man for All Seasons_, by Robert Bolt
>
>
> ----
> Screen-L is sponsored by the Telecommunication & Film Dept., the
> University of Alabama: http://www.tcf.ua.edu

----
Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org

ATOM RSS1 RSS2