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January 2003, Week 2

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Subject:
From:
Jane Sloan <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Thu, 9 Jan 2003 17:25:06 -0500
Content-Type:
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Hello,
Here's a more formal offer to review the following book -- attached is my vita.
Alison Butler, _Women's Cinema_ (2002)
thank you,
Jane



[log in to unmask] wrote:

> [Sincere apologies if you receive this more than once.]
>
> .:,
> .', :. .
> .. , ..' : ..
> .. '. .. ,. ..: ..
> .. .:   .'..  ,. . ... F I L M - P H I L O S O P H Y
> .   ' ...,...  . . .:. . .
> . .. .  :   ...   .'..  ..,.. ISSN 1466-4615
> . ., .  . :...  . .   '.. Journal : Salon : Portal
> . .'.  ,  : ..... . PO Box 26161, London SW8 4WD
> .  .:..'...,.   . http://www.film-philosophy.com
> .. :.,.. '....
> ....:,. '.
> .' :. .
> .,'
>
>          CALL FOR REVIEW-ARTICLES AND PAPERS 2003
>
>          CALL FOR REVIEW-ARTICLES
>
> The following books have been received and need reviewers:
>
> Allen and Turvey, eds, _Wittgenstein, Theory and the Arts_ (2001)
> Steve Beard, _Aftershocks: The End of Style Culture_ (2002)
> Bergfelder, Carter, and Gokturk, eds, _The German Cinema Book_ (2002)
> Janet Bergstrom, ed., _Endless Night: Cinema and Psychoanalysis,
> Parallel Histories_ (1999)
> Bernardo Bertolucci, _Interviews_ (2000)
> Leo Braudy, _The World in a Frame_ 25th Anniversary Edition (2002)
> Giuliana Bruno, _Atlas of Emotion: Journeys in Art, Architecture, and
> Film_ (2002)
> Alison Butler, _Women's Cinema_ (2002)
> Jane Campion, _Interviews_ (1999)
> Sheila Cornelius, with Ian Hayden Smith, _New Chinese Cinema_ (2002)
> John Corner, _Critical Ideas in Television Studies_ (1999)
> Dai Jinhua, _Cinema and Desire_ (2002)
> Danio and Maziere, eds, _The Undercut Reader: Critical Writings on
> Artists' Film and Video_ (2003)
> Wendy Everett, ed., _The Seeing Century: Film, Vision, and Identity_ (2000)
> Manny Farber, _Negative Space_ Expanded Edition (1998)
> Flory and D'Andrade, eds, _Film and Philosophy_ vols 5/6 (2002)
> Gerow and Nornes, eds, _In Praise of Film Studies: Essays in Honor of Makino
>      Mamoru_ (2001)
> John Gibbs, _Mise-en-Scene: Film Style and Interpretation_ (2002)
> David Gillespie, _Early Soviet Cinema_ (2000)
> Goran Gocic, _The Cinema of Emir Kusturica_ (2001)
> Alexander Graf, _The Cinema of Wim Wenders_ (2002)
> Hague and Lavery, eds, _Teleparody: Predicting/Preventing the TV
> Discourse of Tomorrow_ (2002)
> Sue Harris, _Bertrand Blier_ (2001)
> Ari Hiltunen, _Aristotle in Hollywood_ (2002)
> Geoff King, _Film Comedy_ (2002)
> King and Krzywinska, _Science Fiction Cinema_ (2000)
> Stanley Kubrick, _Interviews_ (2001)
> Annette Kuhn, _Dreaming of Fred and Ginger: Cinema and Cultural Memory_ (2002)
> Vicky Lebeau, _Psychoanalysis and Cinema_ (2001)
> Malcolm Le Grice, _Experimental Cinema in the Digital Age_ (2001)
> Samantha Lay, _British Social Realism_ (2002)
> Jacob Leigh, _The Cinema of Ken Loach_ (2002)
> Jon Lewis, _The End of Cinema As We Know It: American Film in the
> Nineties_ (2001)
> George O. Liber, _Alexander Dovzhenko_ (2002)
> Colin MacCabe, _The Eloquence of the Vulgar_ (1999)
> Laurent Mannoni, _The Great Art of Light and Shadow: Archaeology of
> the Cinema_ (2000)
> Lev Manovich, _The Language of New Media_ (2001)
> Millar and Doherty, _Jane and Louise Wilson_ (2000)
> Tony Lee Moral, _Hitchcock and the Making of Marnie_ (2002)
> Stephen Mulhall, _On Film_ (2002)
> Martin O'Shaughnessy, _Jean Renoir_ (2000)
> Richard Porton, _Film and the Anarchist Imagination_ (1999)
> Phil Powrie, _Jean-Jacques Beineix_ (2001)
> James Quandt, ed., _Kon Ichikawa_ (2001)
> Angelo Restivo, _The Cinema of Economic Miracles: Visuality and
> Modernisation in the Italian Art Film_ (2002)
> D. N. Rodowick, _Reading the Figural, or, Philosophy After the New
> Media_ (2001)
> Sam Rohdie, _Promised Lands: Cinema, Geography, Modernism_ (2001)
> Philip Rosen, _Change Mummified: Cinema, Historicity, Theory_ (2001)
> Jonathan Rosenbaum, _Movie Wars_ (2002)
> Saddar and Cubitt, eds, _Aliens R Us: The Other in Science Fiction
> Cinema_ (2002)
> Kevin L. Stoehr, ed., _Film and Knowledge: Essays on the Integration
> of Images and Ideas_ (2002)
> Stokes and Hoover, _City on Fire: Hong Kong Cinema_ (1999)
> Nicolas Tredell, _Cinemas of the Mind: A Critical History of Film
> Theory_ (2002)
> Nwachukwu Frank Ukadike, _Questioning African Cinema_ (2002)
> Ravi S. Vasudevan, ed., _Making Meaning in Indian Cinema_ (2000)
> Paul Wells, _Animation: Genre and Authorship_ (2002)
> Willoquet-Maricondi and Alemany-Galway, eds, _Peter Greenaway's
> Postmodern/Poststructuralist Cinema_ (2001)
> Peter Wollen, _Paris Hollywood: Writings on Film_ (2002)
> Zhang Yimou, _Interviews_ (2001)
> Slavoj Zizek, _The Fright of Real Tears: Krzysztof Kieslowski Between
> Theory and Post-Theory_ (2001)
>
> If you would like to review one of these works then please respond as
> soon as possible to:
>
>      [log in to unmask]
>
> Do not hit 'reply', or send to this list's address.
> By all means indicate alternative book choices in order of preference.
> A brief statement of interest and experience will aid in the selection process.
> Don't forget your postal address.
>
> Length: 2-5,000 words
> Deadline: June 1st 2003
>
>          CALL FOR PAPERS
>
> Submissions are also invited for papers on any topic concerning the
> philosophy of moving images, e.g. analytical film philosophy, film
> aesthetics, cognitivism, Deleuzian film philosophy, phenomenology,
> etc.
>
> Specific request for papers on the idea of film form as a new kind of
> 'thinking' (e.g. Munsterberg, Deleuze, Artaud, Balazs, Biro, Epstein,
> Gilbert-Lecomte, Wurzer, and Schefer, etc.)
>
> Papers should be 2-5,000 words in length, original, and not under
> submission elsewhere or previously published.
>
> Send articles, abstracts and ideas to: [log in to unmask]
> Do not hit 'reply', or send to this list's address.
>
> Please read our guide for authors at:
> http://www.film-philosophy.com/journal/guideforauthors
>
> . .. .  :   ...   .'..  ..,..
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>
> 'A major online journal that is devoted to film and philosophy,
> Film-Philosophy, based in Great Britain, facilitates dialogue among
> countless individuals who are enthused about the philosophy of film
> and the discussion of philosophical issues in films.' Kevin Stoehr,
> in Film and Knowledge (Jefferson, NC: McFarland, 2002)
> (http://www.mcfarlandpub.com)
>
> . .. .  :   ...   .'..  ..,..
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