SCREEN-L Archives

September 2000, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Cheryl Herr <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 27 Sep 2000 16:58:35 -0400
Content-Type:
text/plain
Parts/Attachments:
text/plain (26 lines)
It's my understanding (though I haven't read it yet) that Garrett Stewart's
new book is all about still images in film.  It's called BETWEEN FILM AND
SCREEN (Chicago).  Should be plenty of examples ready to hand there.


At 10:09 AM 9/27/00 -0700, you wrote:
>A student is interested in examining the techniques of using still images
>in films. Some examples are CITY OF GOLD and THE CIVIL WAR, composed solely
>of still images, MAN WITH THE MOVIE CAMERA and BLOW-UP, in which still
>images play a major diegetic role. My student and I would appreciate
>suggestions of other examples.
>
>-Henry Breitrose
>Department of Communication
>Stanford University
>
>----
>Screen-L is sponsored by the Telecommunication & Film Dept., the
>University of Alabama: http://www.tcf.ua.edu
>
>

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu

ATOM RSS1 RSS2