SCREEN-L Archives

September 2000, Week 1

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Freda Freiberg <[log in to unmask]>
Reply To:
Date:
Tue, 5 Sep 2000 19:14:07 +1000
Content-Type:
text/plain
Parts/Attachments:
text/plain (34 lines)
Realism and the Cinema, A Reader edited by Christopher Williams, BFI in
association with Routledge & Kegan Paul, 1980, could be a useful text.
Freda Freiberg, Melbourne

Angelica Fenner wrote:

> Dear list members,
>
> I am preparing a syllabus for a film course titled "Cinema and Realism", in
> which I cover aspects of French poetic realism, U.S. film noir, and Italian
> neo-realism. Early in the course I need to convey to students the
> fundamental distinctions inhering between such concepts as "realism",
> "reality" and "the Real." I'm wondering if anyone is familiar with an
> essay or book that addresses these distinction in a cogent manner -
> something that I could excerpt in a course reader without students having to
> read an entire textbook? I'd be grateful for any citations that come to
> mind.
>
> Thanking you in advance! Angelica Fenner
> * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
> Angelica Fenner, Ph.D.
> Department of French and Italian
> 260 Folwell Hall
> University of Minnesota
> Minneapolis, MN 55455
>
> ----
> Online resources for film/TV studies may be found at ScreenSite
> http://www.tcf.ua.edu/ScreenSite

----
For past messages, visit the Screen-L Archives:
http://bama.ua.edu/archives/screen-l.html

ATOM RSS1 RSS2