CALL FOR PAPERS
Talking Heads
Paper abstracts sought for proposed panel on
documentary media and the talking head
Visible Evidence Conference XII, Concordia University, Montréal, Canada
August 22-25, 2005
Despite being one of the most commonly used
devices in documentary media, the talking head
has seldom been subject to sustained theorization
or historicization within documentary studies.
The talking head facilitates a wide range of
speech acts (e.g. confession, testimony,
interview, lecture, monologue), which often
coexist within a single scene. Since this device
functions as a fulcrum for many of the most
significant dynamics in play within documentary
representation (authenticity, truth, authority,
intersubjectivity, performance), it has also
become the focus of critical interrogation and
self-reflexive experimentation by documentary
filmmakers, including Trinh T. Minha (Surname
Viet, Given Name Nam), Mark Achbar (The
Corporation), Marlon Riggs (Tongues Untied) and,
of course, Errol Morris. Furthermore, new media
forms like video art, home video, webcams and
digital installations have remediated the
documentary conventions of the talking head into
techniques and aesthetics which have subsequently
influenced documentary film and television. This
panel seeks to investigate the theoretical and
historical complexity of the documentary talking
head by bringing together a range of
methodologies and approaches, including film
studies, art history, performance studies,
rhetoric, communications and cultural studies.
Contributions from documentary makers also
strongly welcomed.
Email a 150-word paper abstract, brief
bibliography/filmography and a short biographical
statement to Roger Hallas ([log in to unmask]) by
January 15, 2005.
Visible Evidence is a peripatetic international
and interdisciplinary conference on the role of
film, video and other media as witness and voice
of social reality, which encompasses a wide range
of cultural, political, social, historical,
ethnographic and pedagogical questions and
perspectives from fields such as film studies,
communication studies, anthropology,
architecture, art history, ethnic studies, queer
studies, history, journalism, law, medicine,
political science, sociology, urban studies and
women's studies.
For general information on the conference:
http://artsandscience.concordia.ca/comm/visibleevidence.html
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