Subject: | |
From: | |
Reply To: | |
Date: | Thu, 2 Jan 2003 00:31:17 -0500 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
I saw the restored _Metropolis_ from Kino this afternoon. It is by far the best available version, and I've been known to defend Moroder, even his music.
A couple of anomalies though: in Moroder's version, he fills in missing footage with production stills, when available (when not available, he ignores the cut footage)--this is more effective than white text on black. Also, I wasn't sure why the shot of the Hel statue was missing and replaced by a drawing, when the footage appears in both the Moroder and the Video Yesteryear version (the two I own).
The print is much clearer than either of these. I wonder if this was the reason they chose not to tint it, even though it was most likely presented that way initially. I saw more details than I had never noticed before. The only major missing scene replaced appears to be a shot of the Club of Sons as the professor is introducing the female entertainers.
The original score is great and definitely the best complement to the film. At home I have a choice between a score that sounds like an old radio soap and Moroder, so I always go for Moroder, particularly since it has more footage even though it's shorter.
Scott Andrew Hutchins
[log in to unmask]
Examine The Life of Timon of Athens at Cracks in the Fourth Wall Theatre & Filmworks
http://mywebpages.comcast.net/scottandrewh
"When a true genius appears in this world, you may know him by this sign, that the dunces are all in confederacy against him."--Jonathan Swift
----
For past messages, visit the Screen-L Archives:
http://bama.ua.edu/archives/screen-l.html
|
|
|