SCREEN-L Archives

April 2017, Week 2


Options: Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Rachel Shand <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Mon, 10 Apr 2017 12:10:19 +0000
text/plain (31 lines)
Dear SCREEN-L Subscribers,

 A new publication from Indiana University Press

Free postage to UK customers

Introduction to Documentary, Third Edition
Bill Nichols
   "This new edition of Introduction to Documentary is incisive and magisterial, a brilliantly organized and ambitious analysis of that enigmatic, open-ended, and vital are of cinema in which reality is not so much documented as transformed. Nichols addresses with ambition and humility all the key questions about what happens — ethically, aesthetically, and politically — when real people agree to play themselves, and collaborate with the filmmaker to transform their lives for the screen." —Joshua Oppenheimer, Director, Producer, Filmmaker
   "Documentary film has never been more popular - nor creatively complex - and Bill Nichol’s book gives a concise over-view of the genre while tackling the important ideas, issues and conundrums, that we as filmmakers, all face." —Mark Lewis, Filmmaker
   The third edition of Bill Nichols’s best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre’s distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo.
Bill Nichols is Professor Emeritus of Cinema at San Francisco State University. He is author of Representing Reality: Issues and Concepts in Documentary (IUP), Blurred Boundaries: Questions of Meaning in Contemporary Culture (IUP), and Speaking Truths with Film: Evidence, Ethics, Politics in Documentary.

Indiana University Press | April 2017 | 280pp | 113 b&w illus., 5 tables | 9780253026859 | PB | £21.99*
20% discount with this code: CSL17DOC**
 *Price subject to change.
 **Offer excludes the USA and South America.
Author and independent bookshop blog -
 Follow us on Twitter @CAP_Ltd, Facebook Combined Academic Publishers and

For past messages, visit the Screen-L Archives: