SCREEN-L Archives

November 2001, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Mime-Version:
1.0
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Barbara mennel <[log in to unmask]>
Date:
Tue, 13 Nov 2001 21:53:21 -0500
In-Reply-To:
Content-Type:
text/plain; charset="us-ascii"; format=flowed
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (30 lines)
Janice Mouton, "From Feminine Masquerade to Flaneuse: Agnes Varda's Cleo in
the City,"  Cinema Journal 40, 2 (Winter 2001) 3-16.

At 03:39 PM 11/13/01 +0000, you wrote:
>I am currently working on a comparison of Agnes Varda's CLEO FROM 5 TO 7 and
>Benoit Jacquot's LA FILLE SEULE. Can anyone suggest texts about these two
>films, especially regarding the questions of real time, women as central
>characters/depiction of women, Paris as setting, and the influence of one film
>on the other? English or German language preferred.
>
>I already know "To Desire Differently" by Sandy Flitterman-Lewis and find it
>most useful, but there does not seem to be much literature about LA FILLE
>SEULE.
>
>Any help would be appreciated!
>
>Thank you very much,
>Klaus Bardenhagen
>
>European Film Studies
>University of Edinburgh
>
>----
>Screen-L is sponsored by the Telecommunication & Film Dept., the
>University of Alabama: http://www.tcf.ua.edu

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu

ATOM RSS1 RSS2