SCREEN-L Archives

October 1996, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Kendall D'Andrade <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 27 Oct 1996 19:10:41 -0400
Content-Type:
text/plain
Parts/Attachments:
text/plain (32 lines)
October 27, 1996
 
 
         When Kurosawa produced his version of the Western in _Seven
Samurai_, what did he add to that genre by way of originality and/or
commentary?  One innovation was the change of setting, meaning that the
film was a Western in all but its location in time and space (with
whatever changes were necessary to fit the changed setting).  In that
sense his film is a model for sci-fi Westerns like _Outland_ and maybe
_Star Wars_.
         What else is new, or fairly close to new in his film?
         One possibility:  I don't recall any Westerns where the stranger
who comes in and cleans up the town is not one person but a group formed
specifically for that occasion. Ford's _My Darling Clementine_ is not a
counter-example because, although it features more than one Earp, they
had previously worked together as a  group.  Even the addition of Doc
Holiday does not seem to make it a counter-example because Holiday was
already there and joined with the Earps *after* they came to town.
         If anyone can suggest a citation of a group formed for the
purpose of cleaning up the town in a Western before _Seven Samurai_, I
would appreciate it.
 
Also any other suggestions about substantial changes/contributions/
commentary on the genre made by Kurosawa in this film would be
appreciated.
 
Thanks.                 Kendall D'Andrade
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2