SCREEN-L Archives

May 1998, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
CBussiere <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 12 May 1998 02:28:40 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (26 lines)
Dan raises the excellent example of _I've Heard the Mermaids
Singing_, which, IMHO, contains one of the most innovative
"depictions" of original works of art in film.
 
Tarkovsky's _Andrei Rublev_ uses actual film (or stills?) of icons
attributed to Rublev and/or his school of painting.  This use is all
the more stunning because these shots are in color and constitute
the visual and substantive payoff for the preceding three hours
(more or less) of black and white film.
 
Getting back to the initial "name that painting" strand of this thread,
Tarkovsky uses Leonardo da Vinci's _Adoration of the Three Wise
Men_ in the opening titles of _The Sacrifice_.  The painting features
metaphorically, and a reproduction actually appears, in the film
 
Cynthia
 
 
Cynthia Bussiere
[log in to unmask]
San Francisco, California
 
----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama.

ATOM RSS1 RSS2