SCREEN-L Archives

August 1998, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Ross Anglin <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 25 Aug 1998 19:43:09 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (15 lines)
One might also look to Alan Rudolph's MORTAL THOUGHTS (1991), in which the
viewer learns (at the very end of the film) that all that has come before may
have been a lie, or, at least, an alteration of the facts.  Demi Moore's
flashback indicates that the story she has been telling to cop Harvey Keitel
(which comprises practically the whole film) is not true, and it's up to the
viewer to sort out what might have actually happened.
 
Yours faithfully,
W. Ross Anglin,
Los Angeles
 
----
To sign off SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2