SCREEN-L Archives

October 2018, Week 1

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Mime-Version:
1.0
Content-Type:
text/plain; charset="UTF-8"
Date:
Mon, 1 Oct 2018 06:49:20 -0500
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
Content-Transfer-Encoding:
quoted-printable
Message-ID:
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
From:
Parts/Attachments:
text/plain (37 lines)
*With apologies for cross posting*
View the full Table of Contents at http://bit.ly/screenautumn2018 

ARTICLES
Inverting Hollywood from the outside in: the films within Cheryl Dunye’s The Watermelon Woman
by George Derk

Being unlikeable: the failure and optimism of Todd Solondz
by Anna Breckon

Exhausting horror: twenty-first-century vampire in Jim Jarmusch’s Only Lovers Left Alive
by Zachary Price

Conning all over the world: Latin American variations of an American film genre
by Yannis Tzioumakis

RESEARCH NOTES
Total cinema: Rene Barjavel and the future forms of film
by Alfio Leotta

Cinema in the eyes of Simone de Beauvoir
by Lauren Du Graf

REVIEWS
Lea Jacobs, Film Rhythm After Sound: Technology, Music and Performance 
Reviewed by Colleen Montgomery

Geraldine Pratt and Rosa Marie San Juan, Film and Urban Space: Critical Possibilities
Reviewed by Alexandra Parker

View the full Table of Contents at http://bit.ly/screenautumn2018 


----
Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org

ATOM RSS1 RSS2