SCREEN-L Archives

February 2002, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Content-Type:
TEXT/PLAIN; CHARSET=US-ASCII
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Donald Larsson <[log in to unmask]>
Date:
Sun, 24 Feb 2002 08:26:56 -0600
In-Reply-To:
<02a401c1bc9b$aba737a0$48e708ca@server>
MIME-Version:
1.0
Reply-To:
Parts/Attachments:
TEXT/PLAIN (31 lines)
Andrew Ty asks:


> I'm devoting three screenings that illustrate the fascist aesthetic.
> Beginning with Triumph of the Will, my THIRD film will be Brazil (as an
> illustration of the way the carnivalesque is used to satirize the fascist
> aesthetic). I'm looking for a SECOND film that will show the influence of
> Triumph on mainstream cinema. Star Wars would be the obvious example, but
> I'd much rather show something else. I thought of Starship Troopers, but
> that's a little satirical already, and I was looking for something a little
> more straight-faced. Any thoughts, anyone?

I don't know how straight-faced any of these are (let alone
"mainstream" in some cases), but you might consider THE LION KING, Ken
Russell's TOMMY, Peter Watkins' PRIVILEGE, Ridley Scott's GLADIATOR,
EVITA, and JESUS CHRIST, SUPERSTAR.  For a teaser, you might be
interested in Janet Jackson's video of "Rhythm Nation."

Don Larsson



-----------------------------------------------------------
Donald F. Larsson, English Department, AH 230
Minnesota State University
Mankato, MN  56001

----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2