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September 2007, Week 2


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Samar Habib <[log in to unmask]>
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Film and TV Studies Discussion List <[log in to unmask]>
Mon, 10 Sep 2007 16:02:21 -0700
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Nebula 4.3 is now available online and with unrestricted access at . The table of contents is listed below for your convenience. Our current call for papers follows the table of contents.
    Note on contributors

  Lopamudra Basu. “Crossing Cultures/ Crossing Genres: The Re-invention of the Graphic Memoir  in Persepolis and Persepolis 2.” 1-19

Dvir Abramovich. “The Holocaust World of Yechiel Fajner.” 20-39
Michael Angelo Tata. Rrose Sélavy, Barbarella, Madonna: Cybersublimity after the Orgasmotron. 40-62

A.A. Asiyanbola. A Syntactic and Semiotic Analysis of Some Yoruba Sexist Proverbs in English Translation: Need for Gender Balance. 63-78

  Sarah Atkinson. “Crossed Lines: The Creation of a Multiform, Multiscreen Interactive Film.” 79-100
Mike Kent. “New Technology and the Universal Service Obligation in Australia: Drifting towards Exclusion?” 101-124
Ahmad Abu Baker. “The Theme of ‘Futility’ in War Poetry.” 125-140
Joseph Benjamin Archibald Afful. “Academic Literacy and Communicative Skills in the Ghanaian University: A Proposal.” 141-160
Tara Brabazon and Stephen Mallinder. “Into the Night-Time Economy: Work, Leisure, Urbanity and the Creative Industries.” 161-178
Sunday Adejimola Amuseghan and Akinrelere Lucy Olayinka. “An Evaluation of Intensive English (Book I) as a Coursebook for English as Second Language in Nigeria.” 179-201
Carra Hood. “Final Scene.” 202-213

Ismail Baroudy. “In Search of a Remedial Philosophy: A Consecutive Study of Hafez and Goethe.” 214-245

Oswald Yuan Chin Chang. “Connections, Dislocations and Displacements: Personal and Societal Relationships in Nilo Cruz’s Anna in the Tropics and Leo Tolstoy’s Anna Karenina.” 246-265
    Ayo Ogunsiji. “Aspects of the Phono-Graphological Design in Soyinka’s ‘Faction.’” 266-279
    Tom Murphy. “Cyborg Ontology in Fear and Loathing in Las Vegas On the Road to Consciousness: The Red Shark, The White Whale & Reading The Textual Body.” 280-291
    Stephen Mallinder. “Sheffield is not Sexy.” 292-327
    Rickey L. Cole and Kimberly S. Adams. “Mississippi: An Emerging Democracy Creating a Culture of Civic Participation among Formerly Oppressed Peoples.” 328-338

  Nebula is an online, peer-reviewed, academic periodical which is interested in all things intellectual with the intention of providing a platform for interdisciplinary reading.  Unlike other academic periodicals, Nebula is not limited to one Faculty or subject.  We accept academic articles from any discipline provided that these are written in non-specialist language and in a manner that appeals to a broad audience.  Nebula also publishes intellectual writings that may not necessarily meet the generic conventions of an academic article.  In addition, we encourage academics and intellectuals to participate in a public debate as regards world politics.  We particularly welcome submissions of a marginal or “against the grain” nature and those that heavily interrogate popular political ideologies in a sound and well-evidenced manner.  Writings of high calibre that are particularly underrepresented in other academic periodicals are most welcome for consideration.  Nebula also
 publishes literary and art works and is willing to consider any (graphic, cartoon etc.) material, which can be published on the world wide web.  Submissions intended for Nebula are not limited by a particular house style; we simply ask that whichever referencing style is being used, that it is used consistently and thoroughly throughout each piece. Please note that we receive a large volume of submissions for each issue and cannot consider material which is, or appears to be, in draft form.
  Submissions for Nebula 4.4 are due November 25, 2007.
  Email articles in .doc or equivalent to [log in to unmask] or [log in to unmask], please also include a brief biographical note and a brief CV

Imagination is more important than knowledge
                                                - A. Einstein
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