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March 2006, Week 3


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Film and TV Studies Discussion List <[log in to unmask]>
Tara McPherson <[log in to unmask]>
Thu, 16 Mar 2006 11:30:46 -0800
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Film and TV Studies Discussion List <[log in to unmask]>
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Summer 2006 Fellowship Call for Proposals
Vectors: Journal of Culture and Technology in a Dynamic Vernacular

The University of Southern California’s Institute for Multimedia 
Literacy is pleased to announce a third annual Fellowship program for 
summer 2006 to foster innovative research for its digital publishing 
venture, Vectors: Journal of Culture and Technology in a Dynamic Vernacular.

First launched in 2005, Vectors is an international electronic journal 
dedicated to expanding the potentials of academic publication via 
emergent and transitional media. Moving well beyond the 
text-with-pictures format of much electronic scholarly publishing, 
Vectors brings together visionary scholars with cutting-edge designers 
and technologists to propose a thorough rethinking of the dynamic 
relationship of form to content in academic research, focusing on the 
ways technology shapes, transforms and reconfigures social and cultural 

Vectors adheres to the highest standards of quality in a strenuously 
reviewed format. The journal is edited by Tara McPherson and Steve 
Anderson, with Creative Directors Erik Loyer and Raegan Kelly and Lead 
Programmer Craig Dietrich, and is guided by the collective knowledge of 
a prestigious international board.

About the Fellowships
· Vectors Fellowships will be awarded to up to eight individuals or 
teams of collaborators in the early to mid- stages of development of a 
scholarly multimedia project related to the themes of Difference or 
Memory. Completed projects will be included in Volume 3 of the journal 
in 2007. Vectors features next-generation multimedia scholarship, 
publishing work that can only be realized in an online format.

Volume Three, Issue One: Difference
 From Charles Babbage's 19th century "Difference Engine" to Derrida's 
1980s neographism "Différance," the notion of difference has served as a 
provocative metaphor for thinking about language, culture, politics, 
technology and identity. This issue of Vectors encourages diverse 
examinations of the notion of difference as it plays out in a variety of 
cultural spheres, discourses and practices. We are interested in a 
broadly-conceived notion of difference, one that engages technology and 
culture or that might be productively examined through the format of an 
interactive multimedia journal. In particular, we seek proposals that 
foreground the cultural or political manifestations of racial, gender, 
national, religious, ethnic, geographic, technological or economic 

Possible areas of investigation include but are not limited to:
-historical and future conceptions of difference
-rethinking otherness, multi-culturalism, convergence
-technologies of difference
-legacies + limits of 1990s theories and manifestations of difference
-sounding out difference(s)
-afro-futurism, speculative differences, future species
-sameness and/or difference, the logics of both/and
-rethinking identity; difference/multiplicity/fragmentation
-post-Katrina, post-9/11, post-racism
-post-feminist gender differences
-war and ethnic/religious differences
-economic disparity and cultural differences

Volume Three, Issue Two: Memory
Jean Luc Godard's dictum that "only the hand that erases can write" 
underscores the ironic and contradictory status of memory in postmodern 
culture. In an age when both history and memory are routinely 
characterized as being at an end, it is more important than ever to 
closely examine the epistemological precepts and rhetorical strategies 
by which we engage, remember and speak about the past. This issue of 
Vectors explores a range of possible frameworks for thinking about 
memory as a phenomenon that is fundamentally entangled with the 
discourses of competing disciplines, political imperatives and cultural 
contexts. We are particularly interested in proposals that engage the 
eccentric, disruptive and dynamic potentials of memory as it relates to 
history, media, technology, and/or the sciences.

Possible areas of investigation include but are not limited to:
-the impact of proliferating technological and prosthetic forms of memory
-scientific and medical visualization
-visual memory, media and popular culture memories
-memorialization, reminiscence, recall
-the role of nostalgia, desire, psychology and narrative
-amnesia, displacement, erasure, regeneration
-the dynamic interplay of remembering and forgetting; "creative 
forgetting," "active forgetting"
-memory as practice, process and ritual
-reconstruction, reenactment, rescripting and remixing of memories
-counter-memory, chaos and resistance
-discontinuous, fragmentary or disruptive visions of the past
-individual vs. social, cultural and popular memory

About the Awards
All fellowship recipients will participate in a one-week residency June 
19-23, 2006 at USC’s Institute for Multimedia Literacy, where they will 
have access to state of the art production facilities. Fellows work in 
collaboration with world-class designers and Vectors' technical support 
and programming team throughout the project’s development, typically 
during a span of 3-5 months.

The residency will include colloquia and working sessions where 
participants will have the chance to develop project foundations and 
collectively engage relevant issues in scholarly multimedia. Applicants 
need not be proficient with new media authoring, but must demonstrate 
familiarity with the potentials of digital media forms. Evidence of the 
capacity for successful collaboration and for scholarly innovation is 
required. Fellowship awards will include an honorarium of $1500 for each 
participant or team of collaborators, in addition to travel and 
accommodation expenses.

About the Proposals
We are seeking project proposals that creatively address issues related 
to the themes of Difference and Memory. While the format of the journal 
is meant to explore innovative modes of multimedia scholarship, we are 
not necessarily looking for projects that are about new media. Rather, 
we are interested in the various ways that 'old' and 'new' technologies 
suggest a transformation of scholarship, art and communication practices 
and their relevance to everyday life in an unevenly mediated world.

Applicants are encouraged to think beyond the computer screen to 
consider possibilities created by the proliferation of wireless 
technology, handheld devices, alternative exhibition venues, etc. 
Projects may translate existing scholarly work or be entirely conceived 
for new media. We are particularly interested in projects that 
re-imagine the role of the user and seek to reach broader publics. Work 
that creatively explores innovations in interactivity, 
cross-disciplinary collaboration, or scholarly applications for newly 
developing scientific or engineering technologies are also encouraged.

Proposals should include the following
· Title of project and a one-sentence description

· A 3-5 page description of the project concept, goals and outcome. This 
description should address questions of audience; innovative uses of 
interactivity, address and form. Please also detail the project’s 
argument and its contribution to multimedia scholarship and, more 
generally, to contemporary scholarship in your field.

· Brief biography of each applicant, including relevant qualifications 
and experience for this fellowship

· Full CV for each applicant

· Anticipated required resources (design, technical, hardware, software, 
exhibition, etc.)

· Projected timeline for project development

· Sample media if available (CD, DVD, VHS (any standard), or NTSC 
Mini-DV); for electronic submissions, URLs are preferred but still 
images may be sent as e-mail attachments if necessary)

Projects that articulate a clear understanding of the value of 
multimedia to their execution will be the most successful. Take 
seriously the questions "Why does this project need to be realized in 
multimedia? What is to be gained by the use of a rich media format for 
the argument or experience I aim to present?"

Electronic applications are preferred. Please submit to:
[log in to unmask]

Mailing address
Vectors Summer Fellowships
Annenberg Center for Communication
746 W. Adams Blvd.
Los Angeles, CA 90089-7727

Priority will be given to applications received by April 15, 2006. 
Fellowship recipients will be notified in May 2006.

Additional Information
For additional information about Vectors and the Vectors Summer 
Fellowship Program, please visit
Questions may be directed to Tara McPherson [log in to unmask] or Steve 
Anderson [log in to unmask]

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