SCREEN-L Archives

May 1992


Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Tue, 19 May 1992 11:01:43 EDT
text/plain (25 lines)
Paul Robeson was the first black performer who attained an international
reputation stating with his 1925 performance in Eugene O'Neill's play
EMPEROR JONES.  He was a multi-talented man: football player, attorney, actor,
singer.  All of this at a time in the United States when segregation of the
races was at its highest level (including even the slavery and post-Civil War
era).  There was one problem from the viewpoint of many people: He was an
unabashed supporter of the Russian Revolution.
During the McCarthyite witch-hunt red-baiting period following World War Two,
Robeson could get few bookings in the United States, but many opportunities
overseas.  One difficulty: The State Department suspended his passport on the
grounds that he might speak out against United States foreign policy.
He became a hero to many blacks but died in relative obscurity in 1976 at the
age of 78.  There were no great parades nor outpourings one-way-or-the-other.
One would have to stretch things to parallel his experiences with those of
Marlene Dietrich.  Robeson maintained a continuing relationship with his
homeland, that's perhaps why he was such a thorn.
Cal Pryluck                               <PRYLUCK@TEMPLEVM>
Dept of Radio-Television-Film             <[log in to unmask]>
Temple University
Philadelphia, PA 19122