SCREEN-L Archives

July 2003, Week 1

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Ben Halligan <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Thu, 3 Jul 2003 14:04:02 +0100
Content-Type:
text/plain
Parts/Attachments:
text/plain (44 lines)
i might be imagining it but: in "the big red one", don't we have a shock
cut into the oven of the gas chamber, towards the end? it's a reverse
angle shot from that actor who played luke skywalker.

maybe the cut into colour in "shock corridor" could be termed a "shock
cut" too.

and i'd be amazed if the bit when our protagonist winds up in the room
with "nymphos" isn't done as a shock cut... the bit when she advances
towards him... very stimulating film-making.

ben



-----Original Message-----
From: Patricia White [mailto:[log in to unmask]]
Sent: 01 July 2003 17:43
To: [log in to unmask]
Subject: shock cut

For a textbook, I'm looking for a good example of a
shock cut, preferably from a film by Sam Fuller.
thanks!

Patty White
Department of English Literature
Swarthmore Colelte


__________________________________
Do you Yahoo!?
SBC Yahoo! DSL - Now only $29.95 per month!
http://sbc.yahoo.com

----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF
Screen-L
in the message.  Problems?  Contact [log in to unmask]

----
For past messages, visit the Screen-L Archives:
http://bama.ua.edu/archives/screen-l.html

ATOM RSS1 RSS2