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June 2014, Week 2

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Subject:
From:
Cynthia Miller <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sat, 7 Jun 2014 12:22:23 +0000
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Please scroll down for calls for papers for Golden Age or Gilded Age? Fan Cultures, Past, Present, and Future and Jackpot! Reception and Viewer Agency in the Digital Age


CALL FOR PAPERS
CFP: Golden Age or Gilded Age? Fan Cultures, Past, Present, and Future
An area of multiple panels for the 2014 Film & History Conference:
Golden Ages: Styles and Personalities, Genres and Histories
October 29-November 2, 2014
The Madison Concourse Hotel and Governor’s Club
Madison, WI (USA)
DEADLINE for abstracts: July 1, 2014

AREA: Golden Age or Gilded Age? Fan Cultures, Past, Present, and Future

Fan culture has been intimately linked with mass media since the beginning of the movies in the late 1800s and early 1900s. As various technologies have pushed media evolution along – sound, color, television, and internet – fan culture has kept pace and fueled not only consumption but also developed communities. First in fan magazines, then at conventions, fan culture has spread and inspired fans to celebrate the media they loved. This love frequently leads to the development of derivative works such as fan fiction and fan editing—the expansion of existing media elements into whole new worlds.

Is this the Golden Age of Fan Culture, as brought about by the internet’s ability to transmit media and foster communities, or is this a Gilded Age, where fan culture has gone postmodern, sometimes eclipsing the objects and subjects of fan desire?  This area welcomes proposals on a diverse range of topics pertaining to fan culture, both present and historic, with a particular emphasis on visual media such as film and television.

Possible topics include, but are not limited to, the following:
•       Fan Culture in the Silent Era
•       Fan Culture on Film
•       Fan gatherings – conventions and other meet-ups
•       Cross-media fandom, such as the Marvel media universe
•       Marketing – Mobilizing fans through viral marketing
•       Authenticity – Is the Source with you?
•       Shippers, fans, and stans – claiming identities within fan culture
•       Dissolving international boundaries – Doctor Who, Sherlock, Anime, Korean soap operas, telenovelas
•       Fan clubs and online communities
•       Performance and participatory fandom – Cosplay
•       Derivative works – Fan fiction and fan art.
•       The function of technology in fan culture – from BBS to Tumblr

Proposals for complete panels (three related presentations) are also welcome, but they must include an abstract and contact information, including an e-mail address, for each presenter. For updates and registration information about the upcoming meeting, see the Film & History website (www.filmandhistory.org).
Please e-mail your 200-word proposal by 1 July 2014, to the area chair:

Tiffany Knoell
Bowling Green State University
[log in to unmask]

****

CALL FOR PAPERS
CFP: Jackpot! Reception and Viewer Agency in the Digital Age
An area of multiple panels for the 2014 Film & History Conference:
Golden Ages: Styles and Personalities, Genres and Histories
October 29-November 2, 2014
The Madison Concourse Hotel and Governor’s Club
Madison, WI (USA)
DEADLINE for abstracts:  July 1, 2014

AREA: Jackpot! Reception and Viewer Agency in the Digital Age
The middle 20th century saw a vast rise in academic institutions offering more and more cinema courses, majors, and concentrations, leading to a more critical viewership of the medium.  In our 21st century, widely known as the internet and participatory age, viewers have various outlets and tools, such as websites, blogs, and video casts, to voice their critical accolades and contestations of films, the historical genre included.  Such platforms offer viewers a space for participation and agency while also, inadvertently, offering the scholar new tools and arenas for reception studies. How have the roles and responsibilities of viewers and scholars evolved in response?  How do we begin to map and analyze the terrain of reception in the new millennium?

This call for papers addresses questions that investigate the intersection between online participatory culture and the scholarly resource these arenas provide.

•       Have we reached a new Golden Age of viewer participation and, more importantly, viewer agency?
•       To what extent do viewers have the ability to affect a film’s production, marketing, or bottom line?
•       Have scholars hit the jackpot with the multitude of data these digital critiques provide?
•       To what extent do Amazon.com reviews, Rotten Tomato rants, and YouTube parodies aid scholarly investigation of the reception of specific films?

While papers covering all types of viewer participation in this Golden Age are encouraged, papers focusing on historical films are particularly welcomed.

Proposals for complete panels (three related presentations) are also welcome, but they must include an abstract and contact information, including an e-mail address, for each presenter. For updates and registration information about the upcoming meeting, see the Film & History website (www.filmandhistory.org).

Please e-mail your 200-word proposal by 1 July 2014, to the area chair:
Vincent Bisson
Bunker Hill Community College
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