SCREEN-L Archives

March 1997, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Content-Type:
TEXT/PLAIN; charset=US-ASCII
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Glen Norton <[log in to unmask]>
Date:
Sun, 23 Mar 1997 20:45:54 -0500
In-Reply-To:
MIME-Version:
1.0
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
TEXT/PLAIN (20 lines)
> Crowe (who I've never been too impressed with until now)
 
> To see Jerry McGuire represent the only "studio" film up for best picture, in
> my opinion is one of the more exciting things the academy has done in a long
> time.  Let's just hope that Hollywood gets the message.
 
I wasn't simply dismissing Jerry McGuire because it was a "studio" film.
In fact, I think it is the WEAKEST thing Crowe has done. My judgement of
the film, then was slightly auteurist (I know, a bad word now-a-days).
But, come to think of it, Secrets and Lies isn't Mike Leigh's best work
either (I think Naked is more powerful, and Life is Sweet a more
interesting kitchen-sink film). I guess if there HAS to be a studio film
in the running, Jerry McGuire isn't the WORST pick.
 
Glen Norton
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2