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October 2004, Week 3

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From:
P P Powrie <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 20 Oct 2004 07:52:17 +0100
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Apologies for cross-posting. Contact: pietsie feenstra [[log in to unmask]]
 
 GRONINGEN - NETHERLANDS

 International Conference on European Cinema  2004


 

Participants : 

R.Odin, M.Lagny, F.Kessler, I.Christie, A. Van den Oever, E. Poppe, E De Kuyper, P.Feenstra, D.Ostrowska, B. Van den Heusden,...

 

Program Day 1 - Symposium

Wednesday the 3rd of November 2004 – Film Theatre Images, Poelestraat 30

  9.30   h            Reception with coffee

 10.00 h            Welcome

 Word of welcome by Prof. Dr. Martin Gosman, director, Research school in the humanities OGWG 

 Word of welcome by dr. Annie van den Oever

 10.15 h            Opening of the meetings by Philippe Hardy, Chair

 Director of the Institut Français des Pays-Bas

 10.25 h            The pragmatic turn in Film Studies 

 Prof. dr. Roger Odin, em. prof. at Paris III, Sorbonne Nouvelle. 

 11.15 h            Interview with prof. Odin

 Annie van den Oever, University of Groningen 

 11.30 h            Discussion

 11.45 h            Lunch

 12.15 h            Screening of La captive, 2000

 Based on La Prisonnière by Marcel Proust (1871-1922), one of the novels of his lifework A la recherche du temps perdu.

 Scenario by Eric de Kuyper, direction by Chantal Akerman

 13.15 h            Opening afternoon session by Thomas Michelon, Chair

 Attaché culturel à l ‘Ambassade de France

 13.20 h            Between a rock and a hard place

Prof. dr. Ian Christie, Birkbeck College of London

Between a rock and a hard place: reflections on doing film history 
after theory. From structuralism and ahistorical spectatorship to the 
current ultra-empericism in the study of (early) cinema.

 Referent: Prof. dr Frank Kessler, University of Utrecht

 14.00 h            The historian and the film

 Prof. dr. Michèle Lagny, Paris III, Sorbonne Nouvelle

"The historian and the film: Theoretical problems posed by the use of film by historians. How films contribute to historical knowledge.”

    Referent: Dr. Susan Aasman, University of Groningen

 14.45 h            Break

 15.15 h –         Conference

16.15 h            

Eric de Kuyper on writing and making La Captive

″Remembering and Forgetting Proust. Adaptations for the screen and the 

theatre of A la Recherche...  ″

16.30 h            Closing

Transference ceremony film collection donated by Stichting Vrienden van het Filmarchief, Nijmegen 

A word of gratitude by Prof. dr. Liesbeth Korthals-Altes on behalf of RTC and KCM

22.00 h            Opening of the French film festival Ciné Premières

Screening of Comme une image by Agnès Jaoui

 

 

ICEC WORKSHOP (ROUND TABLE)

 

Title:

Appropriation of concepts in Film Theory and Film Studies

 

Topic:

(transatlantic) Appropriations of concepts from the fields of literature & linguistics to the fields of film studies and cultural studies 

 

Location: 

Grote Vergaderzaal, Oude Boteringestraat, University of Groningen

 

Day: 

4th of November

 

Programme:

 

9.15h: Coffee and registration

 

9.30h: Word of welcome 

Annie van den Oever: Presentation of the outline of the project and of the day

Every session will provide time for both presenting papers (of about 20 minutes) and a discussion by all participants (of about ten minutes).

 

10.00h – 12.30h: First session - Chair: Roger Odin 

Ian Christie:                             A reflection on the 70’s debate in the UK over Russian 

Formalism / Brechtianism and ‘distanciation’

Annie van den Oever:                The historical appropriation of Russian Formalist’s theoretical concepts within the context of Anglo-American New Criticism

Frank Kessler:              Ostranenie and beyond: Ramifications of a concept 

Barend van Heusden:    Pregnance (‘Prägnanz’) 

 

12.30h: Lunch

 

13.30-15.30h: Second session – Chair: Michèle Lagny 

Emile Poppe:                            Film semiotics: our heritage 

Dorota Ostrowska:                   Narrative in literature and cinema: Is structuralist film 

                       criticism just a version of literary criticism? 

Jan Simons:                              The reality game 

Pietsie Feenstra:                       Reflections on European Film Theory: Almodóvar's Bodies 

15.30-16.00h: Tea Break

16.00-17.00h: Session three: closing discussion 

The closing debate will provide an opportunity for all to evaluate the day, and arrangements for publication and next year’s workshop will be made. For a first draft of this three year project, see below. 

 

17.00-18.00h: Drinks

Dinner


 


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